Heil Honey I'm Home! (1990)
Streaming free at Internet Archive
Mimicking the style of I Love Lucy or The Honeymooners, this half-hour TV sit-com has Adolf Hitler and Eva Braun as a bickering American middle-class married couple. Their neighbors are the very Jewish Arny and Rosa Goldenstein, and when the Hitlers and Goldensteins get together, and Neville Chamberlain is coming to dinner, hilarity is in the air!
In theory, anyway. Trouble is, beyond the concept itself and a very artificial laugh track, there are only a couple of chuckles here.
It's real, in case you're wondering. Eight episodes were allegedly made, but only this debut was aired, before the show was cancelled.
Verdict: NO.
♦ ♦ ♦
Hoffa (1992)
Streaming free at Internet Archive
Jimmy Hoffa, longtime kingpin of the International Brotherhood of Teamsters, sits in a limousine with his fictional friend Bobby Ciaro. They're waiting to meet someone who's running late, so they reminisce via flashbacks for a couple of hours.
We're shown Hoffa the young union organizer, Hoffa the tough negotiator, Hoffa going up against Bobby Kennedy, Hoffa going to prison, etc.
What motivated the man is mostly sidestepped, which is weird. A movie about Hoffa and titled Hoffa needs at least a couple of scenes of Hoffa's rabblerousing rhetoric, letting us see the man express the beliefs that drove his union work, his life's passion. Those scenes are here, but they're never more than a few sentences, and mostly clichés.
#336 [archive] SEPT. 20, 2024 |
Many or most of the movie's outdoor scenes were filmed on very
large sets, instead of on location. It gives the proceedings the feel of fantasy, which is unusual. Sadly, nothing much else is.
The film is competent, and I don't want the price of my ticket refunded, but Jimmy Hoffa's life could make a terrific movie, and this is just lukewarm.
Verdict: YES, I guess.
♦ ♦ ♦
Hog Wild (1930)
Streaming free at YouTube
Laurel & Hardy can't compete with the stunts of Buster Keaton or Harold Lloyd, they lack the constant physicality of the Three Stooges, and there aren't really any wisecracks in the script. Mostly the comedy comes from their personas — Hardy the overly confident but under-competent, Laurel the kind-hearted bumbler.
Cinematography by George Stevens (director of Giant, A Raisin in the Sun, Shane, etc).
Verdict: YES.
♦ ♦ ♦
Hold That Ghost (1941)
Streaming free at Internet Archive
Eventually, they get to the haunted mansion and ghostly comedy that earns the movie's title. The film is from Universal, so the horror-movie look is authentic, and there are some laughs.
In the night club scene, Ted Lewis, an inexplicably popular performer of the time, sings "Me and My Shadow" while a black man matches his moves, playing the shadow. Less weirdly, the Andrews Sisters sing "Sleepy Serenade," and their talent and charisma remain obvious even now.
Verdict: MAYBE.
♦ ♦ ♦
Hold That Lion! (1947)
Streaming free at Internet Archive
Verdict: MAYBE.
♦ ♦ ♦
The Hold Up (1972)
Three guys lose their factory jobs, and decide to hold up a Gulf station (where the posted price for regular is 37.9¢ p/gallon).14 minutes long and filmed on Super 8, this is one of Abel Ferrara's earliest surviving works. Ferrara is a great moviemaker — Bad Lieutenant, Ms 45, etc — but this is him learning how to make movies, and his genius is not yet on display.
Verdict: NO.
♦ ♦ ♦
Holding (1971)
Streaming free at YouTube
Bored after several minutes of this, I jumped ahead toward the end, where the same two women were horizontal, one making lunch out of the other, still with double exposures and wacky sounds.
This is "an experimental film from director Constance Beeson," says IMDB. When it was made, 1972, lickety-split imagery was shocking, even illegal in some places. America has changed, though, and now such scenery is always within half a dozen clicks, if you know your way around the web.
Lesbo porn doesn't do much for me, and if I wanted to see two women going at it, I'd prefer it without all the 'artistry' added.
Verdict: MAYBE.
♦ ♦ ♦
The Hole (1960)
a/k/a Le Trou
a/k/a The Night Watch
Free on DVD from your public library
It's a masterpiece, all the way through.
He's sent to prison, but this is in France, where prisons are very, very different than in America. The inmates are all polite, as are the guards. Nobody gets beaten up, or shivved in the yard. Never have I seen a prison so humane, and yet, Gaspard and his cellmates are plotting an escape.
Their plan is clever, maybe even possible, and thoroughly believable. The men take turns battering the cell's foundation with a purloined piece from a bed support, and slowly the concrete breaks and yields, but there's minimal time lapse or jump cuts; you're watching their actual progress, chip by bash by the sweat on their arms. It's thrilling, and psychosomatically made my shoulder ache.
There's no musical score, only the ambient noise of a jail and a jailbreak, which adds more to the feeling of reality.
It's a nearly true story, or so we're told, and I don't disbelieve it. The film is based on a novel by José Giovanni, who was imprisoned, plotted an escape, and later wrote a book about it.
In addition to all the edge-of-your-seat stuff, there's a soft-spoken message in The Hole, but I can't discuss it without giving away too much. Suffice to say that it's two hours of extreme tension, and you are there.
Verdict: BIG YES.
♦ ♦ ♦
The Hole (1962)
Streaming free at Internet Archive
Verdict: YES.
♦ ♦ ♦
The Hole (2001)
Streaming free at Hoopla, with your library card
There's no moment that's even slightly frightful, and it doesn't work as a psychological drama, because these four characters lack the depth of genuine high school students.
Verdict: NO.
♦ ♦ ♦
The Hole in the Ground (1962)
Streaming free at Internet Archive
"Not too bad at all," says an un-named authority figure, "Only one burst. Southampton was the only place that got hit."
"Southampton!" says a young woman, shocked, to two other young women. "That's where our parents live!" Apparently, there are adult triplets working in Britain's defense command facility, and only one of them knows the whereabouts of Mom & Dad's house.
Strauss's "Also sprach Zarathustra" is the theme song, six years before 2001: A Space Odyssey.
Verdict: MAYBE.
♦ ♦ ♦
Holiday (1930) and Holiday (1938)
1930 version, streaming free at Internet Archive
1938 version, free on DVD from your public library
The younger sister, Doris, has fallen for a man named Johnny, who isn't after Doris's money, and isn't much after money of his own, either. He's planning to take a few years off from working, for no particular reason except to see the world and figure out who he is.
Doris and her moneybags father are both aghast at Johnny's disinterest in greenery, but Dad's elder daughter Linda has the same skygazing, free-spirited mindset as Johnny. It's soon obvious that Johnny and Linda belong together, though admirably, they remain only cordial, suppressing all sparks, until the story's happy ending.
There's plenty of wit and verve hung from the plotline, and you gotta love a man who's sincerely disinterested in success. At least, I gotta.
The 1930 film features Ann Harding, Robert Ames, and Mary Astor, with enjoyable best-buddy roles for the marvelous Edward Everett Horton, and future gossip columnist and HUAC name-namer Hedda Hopper. It's a very early talkie, though, and suffers from muffled sound, and now-faded imagery. Also, Ames is too dull, as a guy who's supposed to be a dynamic dreamer.
The 1938 version has no such limitations, and perfect casting with Cary Grant and Katharine Hepburn. It's slight but sweet, gently mocking the worship of lucre while hardly letting on that it's mocking. Delightfully, Mr Horton returns, playing the same best-buddy as in the first film.
"When I find myself in a position like this, I ask myself, what would General Motors do? And then I do the opposite!"
Verdict: YES and YES, but unless you're into cinematic spelunking like me, skip 1930 and head straight to 1938.
Eleanor Powell in Broadway Melody of 1940 |
9/20/2024
• • • Coming attractions • • •
Holiday Inn (1942)
Hollow Image (1979)
Hollywood Boulevard (1976)
Hollywood Hotel (1937)
Hollywood or Bust (1956)
... plus schlock,
shorts,
and surprises out of alphabetical order
especially starting with the letter 'I'.
Just add a comment, below.
— — —
Le Trou is great, one of my favorite prison break films. Becker also made the wonderful Touchez pas au grisbi, highest recommendation.
ReplyDeleteNever seen Hoffa, but hope you'll cover L'il Marty's The Irishman, which is one of his better late period films. Not entirely about Hoffa per se, but he's there (and then he isn't - spoiler!) I think all of his films glorify violence and criminality (despite his and others' protestations otherwise) but here he really takes that idea to the cleaners, spending the last third of the flick (a whole hour - it's a long one) testing the audience's patience and empathy, showing these pathetic, worthless thugs rotting away in jail and nursing homes and experiencing... something, if not exactly self-reflection or contrition. What are we to think? The best ending stretch to a Scorsese film since The Silence, which is also total masterpiece.
Oh, that's right — I'd actually forgotten all through the movie, Hoffa's the guy who disappeared and was never found. Nobody thinks he's in the Bahamas, though.
DeleteI loved Le Trou so much, I've already added several Beckers to my list, including that one. Added The Irishman and The Silence, but IMDB's description of the latter sounds weirdly similar to A Quiet Place, doesn't it?
I saw "Hoffa" on TV one night and wondered why Danny DeVito is cast in some role as a guy nailing broads and trying to be super cool and also why the fuck is he in this? Later I read that he basically guaranteed the budget for the film himself, so he gave himself a co-starring role as a totally made up person (Mamet sorta based him on Chuckie O'Brien, but you can imagine the many, many differences I'm sure. One not revealed by the name alone: the Feds always assumed Chuckie helped set Hoffa up.) I might do the same thing if I was on the hook for a movie budget, so I guess it's lucky I don't have that kind of money.
ReplyDeleteI think Mamet's approach was to make him a "complicated figure" who did some bad things but his heart was in the right place. Seems like there was a way to do that without totally draining the movie of any life or making him a cartoon.
RFK is done a little dirty too. He wrote a book about prosecuting Hoffa and sent him a copy. The autograph read something like "Hey Jimmy, I've sent you this free copy so you won't steal more money from your members to buy a copy."
It's weird that they took so many measures to make a bio-pic feel so much like a fantasy. Albeit a fantasy without much consequence, lessons, morals, motivations, etc.
Your review of Hoffa is more thoughtful than mine. I like the fantasy summation; wish I'd written it.
DeleteSo DeVito the director had budget access to DeVito the actor? Smart move, I guess. DeVito the actor wasn't a problem, except for the role he was written.
The movie was pretty forgettable so I don't even remember — did it even show Hoffa doing those bad things while his heart was in the right place? My recollection is that it mentioned that he HAD done some bad things, but never showed the bad things being done. Maybe I'm forgetting. Maybe it deserves forgetting.
You know, I have the same amnesia. The movie was so dull and plodding that I thing I've forgotten most of the plot points. They try burning down that laundry early in the film but that seems almost like hijinks?
DeleteIt's an amnesia inducer. I don't even remember the laundry scene.
DeleteI do remember that the movie's twist ending was visible without binoculars about an hour before the twist.