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On the phone with Mom

Yesterday I called my mother on the phone, like I do once or twice a month (once more often than twice, to be honest). She promptly mentioned that someone I’d vaguely known many years ago was in the hospital, and is expected to die there. News of who’s sick or dying or dead is ordinary chit-chat for Mom, and for old folks everywhere, of which I’m one.

My response was whatever you're supposed to say when you hear someone’s dying, and then I added, “I hope I don’t die in a hospital. That’s the worst place to die. I’d rather die at a ball game, or after the end credits for a good movie.”

“We don’t have any choice where we die, or how,” Mom said.

I said, “Yeah, that’s up to the powers that be.” Which, for my mom, was a tactical opening.

“Who do you think that is — the powers that be?” 

“My health insurance.”

“No, the powers that be would be God," Mom explained. "Don’t you believe in God?” She loves talking to me about God, and questions me like this eternally, always hoping for an answer different than the last time she asked, when I said no. 

I said the same 'no'. “No, Mom. I don’t believe in God. Does God believe in me?”

“I believe in God,” she announced, surprising neither of us. “I believe he controls the sunrise and sunset, and our lives and our deaths. God is in charge of everything.”

“If he's in charge, he’s certainly doing a crappy job.”

And then she sang to me, one of her favorite hymns: 

"God can do
    anything, ♫
        anything, anything,
God can do anything but fail."

When I didn't say anything, she asked again, "Don't you believe in God?"

I didn't answer.

♦ ♦ ♦

Later in the same conversation — and actually, for Mom and me, it was a very good conversation — she complained that my phone is never switched on.

She's right. I'm weird about that, but I've told everyone in the family, many times, and told Mom again yesterday, "I hate it when the phone rings, so my phone is always switched off unless I'm calling someone."

As if this was news to her, she said, "But that means I can never call you!"

"Yup," I agreed, "but I call you, fairly regularly."

"I wish I could call you," she said again, and I didn't want to rehash all that, but she said it twice more so I sighed and explained, same as I had many times before.

"When I told you my phone number, Mom, you called 50 times a month, even when I asked you not to call quite so often. On my birthday, you called a hundred times, singing the 'Happy Birthday' song into my answering machine, but we weren't home and it really freaked out my wife. That's why the phone is always switched off, now."

"I think it's normal for a mother to call her son," she said.

"I'm sure it is," I said. "I'm not normal, though. I'm weird about some things, like — I hate it when the phone rings, so my phone is always switched off."

"But that means I can never call you!" she said again. 

I didn't answer.

♦ ♦ ♦ 

Soon but not soon enough, Mom changed the subject and asked, “Where do you work?” 

"An insurance company," I answered. 

"Yes, but what company?" I’ve mentioned to her many times that I work at an insurance company, but never named it — another of my quirks, you could say. It was a question I hadn’t expected, though, so I answered with silence while mulling it over.

“Is it a secret?” she asked while I was still pondering, and by golly she’d nailed it.

“Yes! That’s it exactly — it’s a secret.”

“You work at an insurance company. You’re not a spy. Why would it be a secret where you work?”

“Because, Mom, the last time you knew where I worked, you called me at work — sometimes several times a day. I hadn't told you my work number, but you called the company and got my number from the switchboard. When I asked you not to call me at work, you kept calling me at work, and that’s why I haven’t told you where I work.”

“Well, that’s just silly," she said.

“Oh, I agree. It is silly.”

“I know where your sister works," Mom said, "and I know where your brother works—“

“And do you call them at work?”

“Well, sure, sometimes.”

And I laughed, and she laughed, and both of us were laughing at the other. We're quite different people, my mother and I. She can always make me laugh, when she's not making me crazy.

Eventually I said, "Goodbye, Mom. I love you. I'll call again soon."

"I wish I could call you," she said again.

"I know, Mom. Tell everyone I said hi." She sang another hymn at me, and then we hung up, and I enjoyed a much-needed THC watermelon-chew.

♦ ♦ ♦

If anyone asks a question, any question, and you’re not comfortable answering, you don’t have to answer. Even your mother.

A while back, one of my co-workers posted the electronic form to schedule a week off work, which sends an auto-generated email to everyone in the office. She’d included the word “medical,” and I may have briefly wondered what was up, but there’s no effin’ way I would ask. Even the form didn’t ask.

Someone else in the office asked her, though, and I watched my co-worker pause and stutter, until I shouted from across the room, “If she wanted you to know, she would've already told you.”

Words to live by, if you ask me.

The 21st century rolls along, and each day the concept of privacy seems more and more quaint. People post everything about their lives on social media, talk about whatever, wherever, without even whispering, and that's fine if that's their choice. But choosing not to share every detail or any detail of your life is also a valid choice. It's always OK to say, "None of your business." Even to Mom.

 11/29/2021

itsdougholland.com 

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Seven more movies

Be Pretty and Shut Up is a 1981 documentary that looks at how Hollywood treats actresses. I've heard it's good and I'd like to see it, but hell if I'll pay for a subscription to Mubi, which seems to be the only place it's playing. And I hate doing the “free trial” for something I know I’m not buying.

It’s a 40-year-old film and on principle I believe it ought to be free. Anyone want to nudge me in the right direction, please?

Onward to this week’s movies...

♦ ♦ ♦

The Conqueror (1956)
BIG NO

Netflix •  streaming free

This is rightly regarded as one of Hollywood’s more ridiculous major-studio efforts, with John Wayne playing Genghis Khan, exactly the same as he played every other role in a hundred old-time westerns.

It’s all spectacle without sense. Wayne declares war because he fancies a woman who’s Tartar royalty, and after that it’s just galloping horses and battles and stale wisecracks. Everyone speaks stilted, formal English, presumably to make it seem more exotic, so you get lines like, “I greet you, my mother” instead of “Hi, Mom,” for every word of dialogue, all the way through. This is an American movie for American audiences, 'sort of' about Asians but not really, so why bother translating the simplistic dialogue and dumb plot points into lines that sound so very, very artificial?

Wayne rapes Susan Hayward and slaps her around, but she enjoys it so I guess it’s par for the 1950s. Other than that, there’s nothing much to say about the nonsensical plot and performances, so let’s talk about Dick Powell.

Powell was a comedic actor, a song-and-dance man who grew tired of his image and later starred in some minor noir movies. He’s not in this movie, but for unfathomable reasons, he’s the director. And, wow. It’s an Olympic long jump from acting in B-movies to directing a sprawling horse epic, and Powell stumbles over his shoelaces all across the Mongol Empire.

Legend has it that many of the people who made this shitty flick paid for it with their lives. It was filmed in the Utah wilderness, not far downwind from multiple nuclear test sites, and according to Wikipedia, about 20% of the cast eventually died of cancer, including Wayne, Hayward, and Powell. Color me skeptical, though, as quick Googling shows that about 22% of US deaths are attributed to cancer, and that number is actually on the decline. 

♦ ♦ ♦

Donnie Darko (2001, “director’s cut” 2004)
BIG YES

Google Playstreaming free

Donnie’s parents are sending him to a shrink, he’s stopped taking the prescribed pills, and the movie presents him as mentally disturbed. To me he seems like an ordinary adolescent boy, but who am I to argue with a medical diagnosis?

One night while he’s sleepwalking, an engine falls off a passing jet, drops miles through the sky, and crashes through the ceiling of Donnie’s bedroom while he's out sleepwalking. “Somebody was watching over him,” says his father, because if the kid had been home, he’d have been killed.

From this setup, we’re immersed in the politics and hypocrisy at his Christian high school, and we meet a new girl at school (Jena Malone) who’s believably intrigued by Donnie (Jake Gyllenhaal), and there's also a human-sized rabbit haranguing our hero. Drew Barrymore plays an English teacher with a heart of gold, Noah Wylie is the physics teacher who can't delve into metaphysics, Patrick Swayze is a super-charlatan, and Katharine Ross is Donnie's shrink.

A hell of a lot happens in Donnie Darko, and to Donnie Darko, and having seen this film only half a dozen times I am of course unable to explain much of it. It’s complicated, and defies synopsis. If I watched it another half dozen times (and I intend to) I might understand it no better. It’s sorta science fiction, sorta romantic, funny, philosophical, and amazingly cynical but of course not cynical enough. And it’s simply smart, in ways that most movies can’t even pretend to be. 

Doug says watch it, enjoy it, and then could you please tell me what it means?

♦ ♦ ♦

The Last Bus (2021)
MAYBE

streaming free

After his wife dies, a grumpy old man rides buses across England, running into little dramas, making himself a nuisance. All this is interspersed with flashbacks, revealing bit-by-bit details of the old man's marriage and maybe why he's so darn grumpy.

Timothy Spall plays the grumpy protagonist, and his face is so inhumanly grumpy he'd make Walter Matthaeu seem like Santa Claus. Spall's performance is adequate, as is everyone’s, and as is the script — adequate, but nothing special. It reminds me of Movin’ On or Then Came Bronson, long-ago TV shows where wandering men solved strangers’ problems in every episode — is that still a genre on TV? — except here each ‘episode’ is only a few minutes.

The episodes include Old man comes to harassed woman’s rescue, Old man sings “Amazing Grace”, Old man hears sex through thin walls at a boarding house, Old man’s bus gets in a wreck, Old man’s finger gets infected, and my favorite ep, Old man becomes a YouTube celebrity. The big reveal at the end was exactly what I’d guessed it would be in the first ten minutes. It's low-rent charming, but formulaic as fuck, and every character in the movie is a 'character'. You could do worse, but also much better. 

♦ ♦ ♦ 

The Movie Murderer (1970)
YES — 

streaming free

See the mustache on Tom Selleck's face in the poster? I call bullshit. It's an image from when he was famous for Magnum PI, added to the video cover to sell tapes, but the movie is from ten years earlier, and in it he's mustache-free. You have been warned.

This is a TV movie, and seems suspiciously like a pilot episode for a series that might’ve co-starred Selleck. The plot concerns arson investigators, while fires are being set at old film archives.

It tries very hard to be cool, and there’s plenty of snappy lingo-laden dialogue, split-screen editing, and deadly dull dialogue-free sequences of people being odd, like the extended shots of Warren Oates cleaning his enema in the bathtub.

What’s Warren Oates doing in a cheap TV movie? I guess everyone needs a paycheck, but it’s strange indeed to see Oates, one of the toughest tough guys in movie history, face off against Russell Johnson (The Professor from Gilligan’s Island) in a macho pose-off. 

Is The Movie Murderer good? Hell no, but it’s a hoot. It’s delightfully dated, like wallpaper in a house that's been abandoned for decades, and if you open the fridge you'll find 50-year-old margarine. Gray-haired white guys are the computer experts, and some scenes are set in a hippie pad that looks exactly like what TV viewers in 1970 might have imagined a hippie pad looked like.

Everyone in the movie watches a lot of old movies, on TV, and in theaters, so you could call it "movie noir," and that's how it got me. It's 'about' old movies, same as I am, so — yeah, I sorta liked it.

♦ ♦ ♦

Sex Madness Revealed! (2018)
YES — 

Alamo On Demandstreaming free

Patton Oswalt, entirely off-screen, plays Jimmy Morris, a podcast host whose show revolves around early exploitation films. Today’s feature will be Sex Madness, a/k/a Human Wreckage (1938). Jimmy’s special guest is the grandson of the film’s director, who brings a trove of archival information even Jimmy wasn’t expecting.

So it's a tongue-in-cheek crack at Mystery Science Theater 3000, but more audacious and less comedic. It's not written by Oswalt, and not much of it is funny line-by-line, but it accumulates into something outrageous, and it’s in keeping with Oswalt's droll style.

With the movie 90% finished, I finally gave in to curiosity and checked, and yes, the movie they’re watching, Sex Madness, actually exists. As for this movie’s lurid behind-the-scenes revelations about that movie, I counsel skepticism, but the send-up seems deserved.

♦ ♦ ♦

Streets of Fire (1984)
NO

Netflixstreaming free

First and obviously, most streets are made of asphalt, which doesn’t burn.

Streets of Fire is regarded as a cult film by whoever decides such things, but I’d say it’s maybe, possibly, moderately entertaining if your standards are easier than mine. I was bored silly. On the plus side, there’s music by Ry Cooder. On the minus side, just about everything else. 

It opens with a rock concert, where we hear an unremarkable song in its entirety while the audience screams. There’s immediately a riot, and the concert's singer is kidnapped, a car crashes into a dumpster, motorcycle bozos roar past, and then the opening credits begin, with a promise that this will be be “a rock & roll fable.”

More accurately, it’s a collection of clichés spoken by familiar faces — Rick Moranis, Amy Madigan, Willem Dafoe, Bill Paxton. Diane Lane plays the rock star, which requires more suspension of disbelief than exists in the universe. Michael Paré plays the lead, predictably and boringly fake-cool and sneering all the way through, like he’s Elvis reincarnated but without the talent. I clicked it off after about an hour.

♦ ♦ ♦

Things to Come (1936)
NO

Criterionstreaming free

This is based on the H G Welles novel, and set after the First World War, when a second world war was still a horrific prophesy, like our dread of World War III. The story imagines a World War II lasting many years, with the worst people in charge of the mightiest nations, while a few sane voices argue for civilization instead of deadlier gasses and more powerful weaponry.

This is one of the earliest big-budget science fiction movies, and I respect the effort, with remarkably elaborate sets and then-futuristic machinery. It’s occasionally gorgeous to look at, but damn it's depressing, and disappointing that Welles believed scientists would refuse to work on the technologies of death. Oh, honey.

The music is annoying — maniacal to suggest whimsy, regal when a leader delivers a speech, etc. The acting is worse than the music — it's almost all over-acting, melodramatic like a silent movie crossed with a soap opera, so every actor delivers every line as if it’s “To be, or not to be." I say, not to be.

 11/28/2021

Movies, movies, more movies

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itsdougholland.com 

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Masturbation conversation

Here’s a workplace catastrophe: The company's legally-required inventory of merchandise was conducted a few weeks ago, but something’s gone screwy with the data. The details remain hush-hush, but according to a memo, "all departments are instructed not to submit final numbers at this time.”

Sounds serious, but I do not care. It's a problem for the company, not for me. All that matters to me is, the slight and barely noticeable ‘remodeling’ of our office is finished, so I was back at my counter-space this morning, which now has more electrical outlets and somewhat better lighting than before. It's the same countertop, though, and the same chair.

Also same as before, my chair is a little too far from Kallie, but close enough for Carlotta to talk dirty to me without anyone overhearing. She loves naughty talking, and she no longer shyly uses letters, C for cunnilingus like we're on Sesame Street. Today she said exactly what she meant, sometimes with hand gestures and sound effects.

She wanted to talk about men she’s seen masturbating in public — strangers and urban perverts — in a supermarket’s parking lot, once in high school, once in a movie theater, and twice on BART (one circumcised, she said, and the other not). Are there that many deviants and degenerates desperate to be caught, or was she exaggerating the count for my benefit? I guess pervs are a downside of being an attractive woman.

I am still mystified why Carlotta tells me these things, but when she does it's the next best thing to having a sex life, so — by all means, tell.

"Do you talk to other men about stuff like this?" I asked her, and tilted my head down the counter toward our co-worker Peter, and one of the male temps.

"I know you better than them," she said, "and you're more fun." 

In a spirit of fun, then, I confessed to Carlotta that I’ve masturbated in some unusual places. Most men probably have, especially any man who claims he hasn’t. Decorum matters, though, so I’ve always made certain nobody could see or suspect what I was doing. Right now, for example, I'm typing this with just one hand, but I would never tell that to anyone.

When I nervously glanced at my computer or at a stack of unfinished work, Lottie put her hand on my chest, right under my neck, as we talked. It's not an erogenous zone or anything, but it’s an attention-getter. She also, just once, tapped my luxuriously soft belly to accentuate some point she was making. If getting attention is her goal, well, mission accomplished.

At other jobs, I’ve had disgusting conversations with other men, because men are disgusting, everyone knows that. It’s entirely different, though, when a gorgeous and unattainable woman whispers the word ‘sperm’ in my ear. It was a high point of my day, of my existence, but I still don't know... why me?

♦ ♦ ♦

Lottie and I took our afternoon break together, and she hesitated before broaching another delicate subject. Her reticence worried me — without warning this woman barrels straight into a conversation about seeing men and boys whack their willies, so what’s so delicate that she's unsure whether to say it? 

Carlotta thinks I should ask Kallie out. On a date.

After ascertaining that bringing it up was Carlotta’s idea, and not any kind of a ‘message’ from Kallie, I gave Lottie the same answers I’ve given myself — obviously, I’m fat and smelly and accustomed to my solitude and wary of rejection, but also ya shouldn’t date people from work, and Kallie and I are just friends, and she’s too spiritual for me and I hate all that cosmic crap.

“Excuses, excuses,” Carlotta said.

“Maybe,” I replied, “but if there’s ever anything between Kallie and I, Kallie would have to make the first move.” I hope Carlotta relays that message, but I didn’t ask her to.

From Pathetic Life #8
Monday, January 23, 1995

This is an entry retyped from an on-paper zine I wrote many years ago, called Pathetic Life. The opinions stated were my opinions then, but might not be my opinions now. Also, I said and did some disgusting things, so parental guidance is advised.

Pathetic Life 

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itsdougholland.com 

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Six and a half samurai

Judith and I met for lunch at the Newbury Cafe in Berkeley, on Shattuck near Ashby. Their banana shakes are so thick they’re almost chewy, and I had a cheese omelet, of course — and it was superb.

So now I've met Judith, and she has a friendly aura. She’s more outgoing than I’ve ever been, even way back when I sometimes at least tried to interact with other humans. She had a quick repartee with some strangers at the swap meet in the BART lot, and the guy behind the counter at the Newbury knew her by name. She shouted once, at a friend across the street, and it was like a scene from a folksy family sit-com. "Hey, Mabel!" "Hey, Judith!" 

She’s a people person, the opposite of me, but it was nice meeting her, and like my mom always urges, it’s good to come out of my shell once in a while. I don’t think Mom would like Judith, though. She can be outrageous, and my mom is more … 'rageous'. 

The plan was, I was headed to a movie at the UC Theater. Judith didn’t want to see Seven Samurai (1954), but she rode along to do some shopping. We were a little vague on whether we might meet up gain after the movie. “Look for me," she said, "and maybe I’ll be there, but if I’m not don’t worry, just call it a day and head back to the city.”

Seven Samurai is a classic, an absolute must-see. It’s Akira Kurosawa’s most famous and best regarded work, and all the rave reviews aren't BS. It's about a Japanese farming village that’s bullied and looted by roving thieves every year at harvest time, so no matter how good their crop, they’re left with barely enough to survive until the next year, when they’ll be robbed again. After putting up with this for years, maybe generations, someone has a bright idea: Let’s hire free-lance samurai to defend the town.

It’s a rousing adventure, smart and thrilling and funny, as the townsfolk look for affordable warriors to hire, building toward the popcorn-munching action scenes. It's the UC Theater, though, so in the back of my mind I was wondering, are they going to screw this up? The film was focused and framed, which ought to go without saying but like I said, it’s the UC.

Just when I thought they’d done it right tonight, the strangest thing happened. There’d been several battles, samurai vs brigands (‘brigands’ being a word I only know from samurai movies; it means ‘bad guys’), and it looked like we were about to see the movie’s climactic battle. One of the villagers turned to the camera and shouted, “The brigands! The brigands!”

And suddenly, women were in the fields, and two of the warriors were wistfully looking back on everything they’d been through. The End.

Now wait one god damned minute. This was a movie I'd already seen, and I don’t have it memorized or anything, but last time and the time before, it didn’t switch so abruptly from the battle to a recollection of the battle. The theater’s program had promised that this was “the uncut version” of Seven Samurai, and I didn’t even know there was a “cut” version, but whatever I'd just seen was clumsily circumcised. 

My guess as a movie guy is that either the print arrived with one reel missing, or the projectionist skipped a reel. I attended a movie once at the UC where the reels were shown in the wrong order, so them skipping a reel seems much more plausible.

I wanted to corner the manager and yell at him, but Judith was waiting in the lobby, and really, what’s the point of complaining? They’re not going to tell the crowd to sit down again, and then show us the reel they’d forgotten to screen — and even if they did, it wouldn’t quite be the same, you know? It's not a problem they could fix, so I walked over to Judith and said hey, and tried to switch from mighty pissed to semi-sociable. Not sure I pulled it off.

We ate at some place called Plearn Thai. I hadn’t eaten Thai food since a very brief period when I was a borderline yuppie, 15 or so years ago. The food was as spicy as I’d remembered, and pricier. Hell, the tip was more than I’d usually spend on a meal. It was better than edible, though, and only the second helping of fancy food I’ve had since moving to California three years ago, so my pauper’s papers are still intact.

Judith is… Judith. I like her, but she’s Mary Tyler Moore and I’m Quasimodo. I am socially disabled, normally abnormally withdrawn to the max, and she is bubbles of optimism and smiles and good manners and all that. Glad to meet her and nothing against her, and I’d willingly hang with her again if she wants, but eating two meals together in one day was one meal too many.

At home I checked my movie reference book, and it says that the uncut version of Seven Samurai runs 208 minutes. By my calculations, the movie I saw tonight was about 20 minutes short of that, depending on how long the intermission was. A movie reel runs about ten or eleven minutes, so I think we were shortchanged two reels, and also, screw the UC Theater.

From Pathetic Life #8
Sunday, January 22, 1995

This is an entry retyped from an on-paper zine I wrote many years ago, called Pathetic Life. The opinions stated were my opinions then, but might not be my opinions now. Also, I said and did some disgusting things, so parental guidance is advised.

Addendum, 2021: It's absurd, but 26 years later, the UC's destruction of Seven Samurai that night still pisses me off. The theater was operated by Landmark, a chain that was (or maybe still is?) pretty good as chains go, but it always seemed like they sent only their flunk-outs to work in Berkeley.

They shut down the UC Theater in 2001, just as Stephanie & I were leaving California, and the internet tells me that it's now a live music venue. Which seems like a better idea.

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itsdougholland.com 

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Don't dis the workers.

Leftovers & Links #55 

On the list of things I hate, taking a dump anywhere but home is in the top 100. Maybe the top 50, depending on the place and the poop. When I’m dead, it’s absolutely OK to say, “At least he’ll never again have to sit on someone else’s toilet.”

♦ ♦ ♦

Man pranks conservative radio show
by naming a ton of punk bands

♦ ♦ ♦

At the Burger King drive-through, I was third in line. The car in front of mine had no rear plates, and no temporary plates, just an empty space where the license plate is supposed to be mounted. The car behind mine was a police car. 

Then I was second in line, and I watched and waited as the passenger in the plateless car tossed two empty beer cans onto the parking lot, while the driver shouted his order into the microphone when an ordinary volume would suffice, and added, "don't fuck it up." The BK employee said, “Thank you, please pull forward,” and the idiots' car rolled toward the drive-thru window.

There was no raised curb preventing it, so instead of placing my order I pulled away, making the cop car next in line. I looped around to the back of the line again, and watched as the cops placed their order, then drove ahead, directly behind the car with no license plates.

Predictably — and indeed it was my intent — the cops soon flipped on their woo-woo noisemaker and pulled over the unlicensed vehicle, there in the parking lot. Then it got more dramatic than I'd intended, as the cops drew their guns and everybody shouted for thirty seconds or so. By the time I had my Whoppers and onion rings, the driver and passenger were in handcuffs, in the back of the patrol car.

I'm glad nobody got killed, which is always a risk when police are involved. I've second-guessed myself, a little, for basically ‘calling the cops’ by bailing out of the drive-through line, knowing I'd be giving the oinkers a clear view of the vehicle in front of them.

I don't quite regret it, though. And it wasn’t about the missing license plate — I don’t give a damn about license plates. Wasn’t about the presumably drunk driving, or littering on the parking lot. I did it because that fucker disrespected the staff at Burger King.

♦ ♦ ♦

For only a few homoerotic moments between Kirk and Spock, author Della van Hise lost her gig writing Star Trek novels.

♦ ♦ ♦

I’m a sucker for old musicals and old music, so let’s dance.

On the dancers’ biography page,  it says “Bianca and Nils are members of the Swedish national team in Boogie Woogie and Lindy Hop.” I say, the USA has an army, navy, air force, and marines, all dedicated to killing people and making the world a worse place. Why can’t we have a national dance team, to celebrate life and dance and make things better?

♦ ♦ ♦

Eugene, Oregon is the only city I know that was named for its founder’s first name, not his last name.  

It was Eugene Skinner, if you were wondering.

♦ ♦ ♦

OK, damn it. I’ve heard of the show for years, but never seen Diners, Drive-Ins, and Dives, mostly because I don’t have cable or even a TV. Another thing keeping me away, though, is that I have seen another Guy Fieri show, Guy's Grocery Games, and the man’s relentless on-screen optimism and cheerfulness make me want to heave. 

I do, however, love diners, drive-ins, and dives, so finally, this article — basically a love letter to the show — has convinced me to give it a watch. Am I gonna regret this?

♦ ♦ ♦

Bob & Bob, International Headquarters.

♦ ♦ ♦ 

At a local, ordinary theater, a ticket to an evening screening of an ordinary movie costs $16.62. That's ordinary.

The most I’ve ever paid to see a movie is still seven bucks, and like Wilt Chamberlain's 100-point game, it’s a record that will never be broken. 

♦ ♦ ♦ 

Dig, a history podcast: In which several degreed women do a deep dig through something from history every two weeks. No ads, no jokes, no banter, no annoyingly long introductions or stupid theme song, and minimal begging for donations — mostly it’s just the facts, ma’am.

Recent eps I’ve enjoyed included the history of Aunt Jemima, and the history of entrapment and misconduct by police. Even some episodes that seemed likely to be boring, based on the descriptions, weren't boring.

♦ ♦ ♦

Remember when we were young and innocent, or at least young? Before the wrinkles. When ‘better’ was possible. When you could list the things you were worried about on an index card. When you thought dreams could come true. When you knew you’d have everything under control in a few years, because by then you’d be an adult, and adults had their shit together, right? So we thought, and so it goes.

♦ ♦ ♦

 Mystery links  — Like life itself, there’s no knowing where you’re going:

—①—
     —②—
          —③—

 Sing along with Doug:
"Somewhere"
music by Leonard Bernstein
lyrics by Stephen Soundheim
performed by Tom Waits


Sincere tip 'o the hat:
BoingBoing

Captain Hampockets
Follow Me Here
Hyperallergic
LiarTownUSA
Messy Nessy Chick
National Zero
Ran Prieur
Vintage Everyday

Voenix Rising

EXTRA SPECIAL THANKS:
Becky Jo
Name Withheld
Dave S.

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