Singalong with Kallie

From Pathetic Life #5
Tuesday, October 11, 1994

What I wouldn’t give for just one good night’s sleep a week. Even one a month. 

Last night I was up too late, and this morning I was awakened by loud music from someone’s open window across the alleyway. Not angry rap or industrial rock like you usually hear from boombox bozos, no, it was the sound of Stravinsky and Tchaikovsky and the classics, but a little too loud. The only thing missing was Mr French in his tuxedo saying, “You can’t buy this collection in any store.”

♦ ♦ ♦

It was a boring day at the office.

♦ ♦ ♦

After work, Kallie and I took the J train to her house, and I said goodbye to my old TV and plugged it in and toggled the antenna, and now it’s her TV. Kallie no doubt knows how to plug in a television and putz with the antenna, but it's something society expects the man to do, and Kallie asked me, so I did it.

Then we went to dinner at the Happy Palace on Monterrey Blvd, Kallie’s favorite Chinese restaurant, and I can taste why. She had salt & pepper baked squid, and I had oysters on the shell in a black bean sauce — an exotic meal, by my standards. My idea of seafood is a tuna sandwich. Kallie paid, I tipped, the oysters were scrumptious, and I ate some of Kallie’s squid, too. Happy Palace is swanky (cloth napkins!) and pricier than the Sincere Cafe, but it was swell, and I’ll return if I’m in the neighborhood again.

And I might be in the neighborhood again, maybe even with Kallie. The conversation came easy all night, which wasn’t a surprise. Heck, I hadn’t even been very nervous at work before we left. We like each other, so we’re past that phase already.

After dinner, we walked back to Kallie’s house and had a singalong at the piano, which sounds very Mickey Rooney/Judy Garland, but it was fun. Kallie is soft-spoken, which, combined with my growing deafness, means I’m often saying, “Huh?” When she sings, though, it’s loud and clear, and she plays a powerful piano too. She played and sang four songs she’d written, quite pleasant tunes to my uncivilized ear, with poignant lyrics, too.

Soon as she started playing the piano, her flatmate from across the hall came out and started singing with us. The flatmate, Janey or Jilly or something like that, is the effervescent double-bubbly sort, someone who’d get kicked out of Up With People for excessive cheeriness. I disliked her instantly, and if she lived across my hall I'd hate her.

Then a stack of old sheet music emerged from somewhere, and Kallie played the piano while all three of us sang songs by the Beatles, the Monkees, Depeche Mode, and Pink Floyd. Then suddenly it was almost 11:00 on a work night, so I BARTed home.

My only maybe-misstep was during a lull in the singalong, when Janey/Jilly/Judy/Jodie asked me if I played any musical instruments. I said, “Yeah, if I have beans for supper I can fart the theme from Oklahoma.” Kallie laughed, and her friend thought it was just sick, which was the best possible response I’d wanted from both of them. Her flatmate can bite me anyway, and chip a tooth. She’s way too Meg Ryan, and anyone who finds fart jokes offensive has their chain pulled too tight.

Kallie cracked better jokes than mine, and she was smart and seems well-informed. She’s enough like me that we could talk about more than the office, and enough unlike me to be interesting to listen to. All three of us shared a few puffs, and I wouldn’t mind hanging out with Kallie again. 

Twice I had a fleeting urge to kiss her, but that would’ve ruined the evening, and besides, I’m more comfortable doing the platonic thing. This may have been the first evening I’ve ever spent mostly alone with an attractive woman without plotting my move to the next step. There’s not a next step here, and that’s OK.

One minor red flag: Kallie has a degree in parapsychology, runs a sideline business as a hypnotherapist, and she told me about some of her past lives. I’ll have to go to the library and look up parapsychology — it’s not in my dictionary, but my dictionary is small to match my vocabulary. If it means what I think it means, I don’t think it’s a real thing, and I didn’t know you could earn a degree in it. Hypnosis is real, of course, but past lives is dried horse ploppings.

Kallie is easygoing in her spirituality, though, not loopy about it like some people. When I said I was surprised to hear it, she said she keeps her spiritual side secret at work, and I can understand that. I keep everything about myself a secret at work. From experience I know that too many people judge even the slightest weirdness too harshly, and I’m weird … and yet, here I sit, maybe judging Kallie’s weirdness a little too harshly.

She’s good people, and the whole evening was wholesome. Despite my recent lack-of-sleep, I didn't yawn much, and except for the doobie, everyone was so well-behaved my Mom and Jesus would've been proud.

I hadn’t known that Kallie is creative, writing those songs that didn’t make me cringe. Being creative is important; it’s one of the few things separating humans from the other apes. Creating something that’s good is almost too much to hope for, but Kallie’s accomplished that. I wondered for a moment whether I’d have the courage to let her see anything I’d written, but of course I wouldn’t.

This is an entry retyped from an on-paper zine I wrote many years ago, called Pathetic Life. The opinions stated were my opinions then, but might not be my opinions now. Also, I said and did some disgusting things, so parental guidance is advised.

#44 Montlake-Ballard

The #44 is an east-west route, and my ride started near Husky Stadium, where sweaty alleged students at the University of Washington play football. I'd come via the Link light rail, getting off at University of Washington Station, where coming up from the subway, you emerge on a wide concrete walkway with a built-in annoyance.

The first bus stop is on the other side of Montlake Boulevard, in the middle of a very long, heavily-trafficked block.

It's public transit designed by people who don't use public transit: To get to the bus stop, you either jaywalk across wide and busy Montlake Blvd, or go the long and legal way, walking half a long block north or south, waiting at a stop light, crossing the street, then walking half the long block back to the bus stop.

Crossing the street legally takes about five minutes. Or, there's a lovely pedestrian bridge, which, by the time you've gone up up up a lot of stairs and then down down down a lot of stairs, adds up to about the same five minutes for crossing the street.

I jaywalked, of course, and got honked at as I crossed the street in mere seconds. Hundreds of people must jaywalk there every day, to save five minutes and catch the next bus instead of the bus after that. Doubtless some people have been hit by cars and died, crossing to reach a bus stop that's stupidly in the middle of the block instead of at a corner.

Soon as I hopped aboard the bus, it turned west onto Pacific Street, going past the giant University of Washington Hospital. That's where Dr Belding Scribner invented dialysis, which kept my wife alive for seven years after her kidneys failed.

If she wasn't dead and Doc Scribner wasn't dead too, she'd thank him for that. But she'd want me to add that dialysis is horrible and always left her weak and ruined for the rest of the day. Basically, it's three days a week of absolute torture, allowing life the other four days. 42.9% of a life, she often grumbled, but she'd add that it's nice being alive and able to grumble about it.

The bus turned north onto 15th Avenue, which is where you start seeing non-football parts of the University — halls, dorms, apartments, etc.

From the passengers getting on and off and the people on the sidewalk, my scientific analysis of UW demographics is that 40% of the students are Asian, 25% white, almost none are black, and about 25% are gorgeous babes. If I had to commute to work five days a week, the #44 through the University would not be unpleasant.

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Waiting at a stop light, my eyes settled on a semi-cool old apartment or dorm building, and I wondered about its age and architecture and how many generations of teenagers and early-20-somethings had lived there.

As I was thinking and watching, someone's sixth-floor Venetian blinds went up very, very slowly, making me wonder if the blinds were controlled by an app set to 'crazy slow'. For twenty seconds, the blinds continued rising at about an inch per second, and if the blinds were ever all the way up, what would be next?

Would a young apparition in a tweed jacket and straw hat stand at the window, an eternal holdover from the University's class of 1918? I don't believe in such things but I've seen it in the movies and it might've been excellent, and a shadow of grayness from a cloud passed over... but the light turned green and the bus rolled away before any human or ghost came to the window.

After we'd turned west onto 45th Street, we rolled past the Neptune Theater. In the pre-video era, the Neptune showed a different old movie every night, often double features, and Rocky Horror every Friday and Saturday at midnight. I moved into the neighborhood mostly for the Neptune, and the Grand Illusion and the Varsity and the University and the Metro, always a short walk to a good movie.

Those were the days, my friend, and now most of those screens are gone, and the Neptune is a rock'n'roll venue, which is better than tearing it down, but for me it might as well be closed.

Hmmm. Leon Coffee House. Thought it looked nice, so I wrote it in my notebook. Their website says they sell coffee, sandwiches, and waffles, but the menu doesn't include prices, and a lack of listed prices tends to scare me away.

A few blocks later, there's a cross road where my pal Bruno parked his car, the night we went to see Solaris at the Neptune. Can't forget the night and place because the film broke and couldn't be repaired, so everyone left the theater without seeing the end of the movie.

Bruno and I stood by his car for half an hour that night, guessing wrong how the movie ended, and then we went for pizza at a place down the street. Like a lot of the neighborhood, the pizza place is gone, and the building it was in is gone, too. Eventually, everything gets gone, including Bruno, and me, and you.

Hey, but the Blue Moon ain't gone yet. There it sits, exactly as it was way back in the 1980s, when it was the only bar I've been in often enough to feel like a regular. I ought to go back there, one fine night.

I had a beer at the Blue Moon maybe twenty times (which is about half the times I've ever had a beer), and yet, the only visit to the Blue Moon I specifically remember is the one night I was there with Sarah-Katherine, a lady who briefly floated into and then, of course, out of my life in the mid-1990s.

The bus went over the gulch and stink of Interstate-5, and into the Wallingford neighborhood, where I spotted a familiar triangular Winchell's sign that said "open." Instinctively I patted my wallet and rang the bell to get off. I'd been on my way to a restaurant after my bus ride, but it didn't matter. Mmmm, doughnuts...

Winchell's is a chain of doughnut shops that was ubiquitous in Seattle when I was a kid and young man, and I absorbed millions of calories at Winchell's in Rainier Beach, Winchell's in Lake City, and this very Winchell's in Wallingford. But the sign was a lie twice told — it's not a Winchell's any longer, and it's not open. Sadly doughnut-free, I waited to resume my ride on the next westbound #44.

Leaning on a rock nearby was a white woman maybe 30 years old. You don't know her, nobody does, but if you live in any American city, you know her look. Dressed strangely and too long unwashed, she had a face of smudged makeup and a forest of hairy hairdo, and she was wearing shorts showing scratched and cut-up legs. Her eyes were glassy when they were open, but she was drifting in and out of consciousness. Fentanyl or a more old-fashioned drug, was the only question.

But actually the question was, "Can I use your phone?"

Dumb me, I'd been checking my text messages, so I couldn't claim to have no phone. I mulled it over for a few seconds, but what's the harm in a small kindness for the doomed? "Yeah," I said, "but it's gotta be quick. I'm waiting for a bus."

"Are you waiting for a #44?" she asked.

"Yeah."

"Never mind, then. Here it is." Turned and looked, and she was right, the #44 was pulling into the stop.

"Sorry," I said, and I was, but only about 1/3. The other 2/3 of me was happy to get away from her.

Urban living is like that. You can feel sympathy for street people in general, or for specific street people, and I had enough sympathy for that woman to let her use my phone... but not if it meant waiting another twelve minutes for the next #44.

The door whooshed open, and I flashed my bus-pass to the machine inside, and show a last glance at that woman I'd left on the sidewalk. How little future awaits her, I thought, but let the thought go.

Sorry, you can't care, or you'd go crazy. I took a seat on the other side of the bus, and looked the other direction.

Out the window as the bus rolled along: Golden Oldies Records, Dick's Drive-In, maybe Sea-Thai Restaurant, a library branch, and Archie McPhee's for all your rubber chicken needs.

Also spotted a very pretty and too young blonde behind the wheel of a dented car half her age, waiting at the light at Stone Way. She bopped her head to music I couldn't hear, singing along and briefly picking her nose, which made me laugh.

Then the bus jiggered north a block to 46th, and rushed past the momentary murals under Aurora Avenue. The art is momentary because you're going 25 mph, passing under a freeway, concrete and cars everywhere in a cloud of traffic, engine noise, and the stink of exhaust.

Then onto Market Street, which is steeper than I'd remembered, going quickly down the hill. Lots of houses, each with a view of lots of houses.

As we passed a gas station at 8th & Market, I watched a pedestrian dropkick a Lime scooter, and silently applauded. I love toppling the scooters, and wish more people had the habit.

Branded Lime, those electric scooters are everywhere in the city. They're a convenience and look like fun, but when the rented ride is finished, the scooter is usually left straddling a sidewalk, blocking pedestrians, and good luck to anyone trying to squeeze past in a wheelchair.

Lime's website says, comically, "If you see a Lime vehicle parked illegally or improperly, such as blocking a pathway or tipped over, please let us know. You can report it using the Lime app..."

You could spend all day reporting Limes improperly parked, but it's easier and more fun to topple them, or toss them into the bushes.

And here's another complaint... After a long stretch of residential comes a longer stretch of commercial, and it's a cliché to say it, but there's too much newfangled bullshit and too many chain stores in the business areas. Every block seems the same as the block before.

Even some of the old buildings that could be cool, have ugly, bland modern fake fronts attached, like the goal is to look as soulless as the buildings next door and across the street.

"Up to 3,800 square foot restaurant space available," which will soon be a Qdoba, or someplace equally awful. The city, and all America, has moved far past me and my puny life, and my unimportant recollection of what these neighborhoods were, when they were neighborhoods.

Here's a quite ordinary intersection, and what's there? Verizon, Pep Boys, Walgreens, Safeway, Papa John's, Wendy's, Five Guys, O'Reilly Auto Parts, and what used to be a Target across the street. Was I even in Seattle? How could you tell? It could just as easily have been Minneapolis, or Milwaukee. When everything is a chain, anywhere is everywhere.

But there's still, or again, the Majestic Bay Theater. It used to be a run-down rat-trap third-run theater where I saw movies for 99¢, but while I was away from Seattle for so many years, they tore it down and built a new theater on the same spot.

Never yet been inside the new theater, but everyone says it's swell, and I'm curious how they shoehorned three screens into the same real estate that used to have one kinda small theater. The marquee says admission is only six bucks on Tuesdays, so maybe one Tuesday soon I'll find out.

The bus went past the National Nordic Museum, which is on my gotta-go-there list but not for today.

Soon my #44 made its last turn, south on 32nd Avenue, near the Chittenden Locks, and the ride was over.

At the corner is the Ballard Senior Center, where they were having a rummage sale on the day of my excursion. They were selling women's wear and almost nothing but, and I do look fine in a dress, but I'd come for the Lockspot Cafe, a couple of blocks up 54th Street.

This entry is too long already, so my page and a half of notes on the restaurant will get their own entry, one of these days.

As for the #44, it's a fine ride to Ballard and back again. Except for that soon-to-be dead addict and all the chain stores, it hums along at a good pace, with nothing but pleasant views and memories out the window.

10/10/2024   

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An inappropriate workplace conversation


From Pathetic Life #5
Monday, October 10, 1994

Today Darla told me to work on the regular work — though there isn’t much of it, and none of it’s rush-rush — instead of working on a more important project that’s a little removed from my job description, but absolutely must be done by tomorrow.

It’s not smart, but her ignorance isn’t her fault; she’s not the fool who decided she should be the manager of an office where she doesn’t understand the work. Like any workplace, we workers know what we’re doing, know how to prioritize the tasks, and a boss ought to let us do what we do. She ought to just be there when we need her, not micromanaging things she doesn’t understand.

When I had a chance in the afternoon, I disobeyed and switched back to the urgent project. Sorry, boss, but if the urgent work doesn’t get done, you wouldn’t like the ramifications.

♦ ♦ ♦

The dentist says I have special spit, something in my saliva that impedes the build-up of plaque. So even though I brush only 3-4 times a week, and my teeth haven’t been dentist-cleaned in years, today’s cleaning that was supposed to take an hour took only fifteen minutes. I’ll bet he bills  insurance for the full hour, though.

I returned to the store and worked for an hour, before busing out to Kaiser’s optometrist, and what a joke that was. The optometrist was an intern; another optometrist was there “to observe,” and the guy examining me was so nervous it made me nervous. I had to ask a fairly simple question twice, to get an answer that seemed memorized from a textbook and unconcerned about my blurry vision. He told me blandly that I don’t need bifocals, though I have to take off my glasses to see what’s closer than about ten feet away, and put them back on to see farther than that. How is that not someone who needs bifocals?

Yeah, yeah, any rookie needs to be taught on the job, and I don’t seriously oppose the concept of training the new kid. But, you know, they’re my eyes. It would be nice if I could see an eye expert about my eyes, and nicer still if I could see an eye expert clearly instead of blurry.

What keeps me with Kaiser Permanente is that I’m not allowed to leave. Nobody is allowed to take their business elsewhere, except once a year for two weeks, when the company’s health care is declared “open.” Then and only then, workers are allowed to switch, if we wish, from one incompetent, barely functional HMO to another that’s probably just as bad.

Will I switch? Probably not. By the next “open period,” next spring, I'm sure I'll have been laid off, which means I'll have no health care at all. In America, only employees get health coverage; the unemployed are outta luck. The whole system is not really a system at all.

Question: Why can’t America have nationwide, everybody’s-covered health care, like England and Canada and other civilized countries have? Answer: Because that would make sense.

♦ ♦ ♦

I’m delivering the TV to Kallie’s house tomorrow after work, and we’re having dinner, either at her house or at a Chinese place she likes — she hasn’t decided yet, but says it’s her treat either way.

After making those arrangements, a little later in the afternoon, she said something peculiar. We were talking about what we’d done over the weekend, and agreed that we hated the Blue Angels, and then she mentioned that one of the roommates in her shared house had brought home a weekend guest. “I wouldn’t mind the grunting and groaning,” she said, “if it hadn’t been so very long since I’ve gotten any. It’s been two years.”

Based on some workplace seminars I've attended, I believe that’s what’s called an "inappropriate workplace conversation," and definitely more personal that anything we’ve shared in the office until today.

I can top that, though. I’ve gone two years, three years, and five years without. I am not Warren Beatty. And tomorrow I’m having dinner with Kallie, and I’m pretty sure it is not a date.

♦ ♦ ♦

Darla is new at being our boss. She transferred in, and she’s learning how we do the work we do, and she’s not an idiot or anything, but sometimes I can't figure out what she's figuring.

Because of my dentist and eye doctor appointments, I came in hours early this morning. But because of my special super-saliva that made the dentist’s appointment short, I was able to come back and work an hour between my appointments, which should mean I could leave work an hour earlier than usual.

But, no. When I ran it by Darla, she said I had to stay until my normal quitting time, even though the last hour was overtime, even though there wasn’t much work to do, and even though there were other people who could answer the phone, because, “We must maintain standard business hours.”

♦ ♦ ♦

Back to the Roxie after work, fourth night in a row I've been there. They’d know me by name, if I was sociable. I’d buy season tickets if they had ‘em.

It was a Jack Webb double feature. Bet you didn't know that Joe Friday from Dragnet made movies, too.

Appointment with Danger (1950) is a good piece of noir, once you get past the concept of a hard-boiled, tough-talking, no-sense-of-humor scowling steadfast slalwart super-cynical … postal inspector?

I shouldn’t snicker, but postal inspectors are barely cops. They investigate mail fraud. Well, hold your pony express, in this movie a postal inspector is murdered, a nun is the only witness, and another postal inspector (Alan Ladd) is sent to investigate. So I guess postal inspectors investigate mail fraud and the occasional murder of other postal inspectors.

If you can get past the whole ‘postal inspector’ thing, it’s a well-made noir thriller. There’s plenty of clever rapid-fire staccato banter, and the inimitable Mr Webb steals the show in an early supporting role as a bad guy. Also, Webb’s accomplice is Harry Morgan, who later co-starred as Webb’s sidekick in the last several seasons of Dragnet, and it’s strange seeing them together but on the wrong side of the law.

The second feature was The D.I. (1957), directed and produced by Jack Webb, who also stars as a psychotic Marine drill instructor (“D.I.”) who, since it’s a movie made in 1957, isn’t allowed to use foul language as he screams and insults and dehumanizes his platoon.

I’m not a big fan of “so bad it’s good” movies; Plan Nine from Outer Space bored me, and I left early. With films like that, the laughter usually runs out before the second reel. But I have never seen a better-worse movie than The D.I. 

It is unintentionally hilarious all the way through. I laughed myself hoarse. There were tears rolling down my cheeks even before the opening credits, as one by one Webb’s raw recruits knock on his office door to receive their morning dose of humiliation. Webb is so unrelentingly serious as he delivers every line with his patented “I’m right and you’re wrong” attitude, it makes this movie madly marvelous. If it had screened more than once tonight, I would’ve stayed and watched it a second time, just to hear whether Webb’s girlfriend actually said “Yes Sir” after a kiss. I think that’s what she said, but hundreds of people laughing drowned out the dialogue sometimes.

The story, if it matters, is about one recruit who’s a slacker, so un-American he tries faking a headache to get a day off from boot camp. Sergent Webb, though, is determined to make him into a man and, more importantly, a Marine.

It’s all so red white & blue you won’t believe it’s black & white. Most of the recruits are played by genuine jarheads, and the auteur Webb isn’t content to simply thank the US Marines for their cooperation in the making of this film; he also thanks them over the closing credits for every battle from Tripoli to Iwo Jima.

If you’re a Marine, hey, I do respect what y’all do, and we need you on that wall — though honestly, we don’t need you on that wall as often as you’re posted to that wall. But the patriotic fervor in this movie is just nuts. It’s uproarious, but also unsettling to think that not so long ago, a film like this was taken seriously by the audience.

This is an entry retyped from an on-paper zine I wrote many years ago, called Pathetic Life. The opinions stated were my opinions then, but might not be my opinions now. Also, I said and did some disgusting things, so parental guidance is advised.


Riding the bus in San Francisco

by Bruce Anderson

A friend commented: "I sometimes walk six miles to avoid taking Muni." Me too, depending on how my legs feel, I sometimes walk six miles west all the way to 7th Avenue rather than board a packed Muni, on a hot day, not that I ever click my heels in anticipation of the experience.

Muni is often unpleasant in ways large and small, from buses with windows blacked out with advertising so passengers can't see out (which says it all about management's regard for its customers), to the constant mechanized voice reminders to "hold on," to feral co-passengers, to drivers who range from the verifiably insane to the merely rude and stupid to the saintly.

I've experienced the entire Muni gambit, from irritating to frightening. A minor encounter one afternoon at the foot of Market Street is illustrative of the irritating end of the spectrum.

I'd been at the ballpark, then into the Ferry Building for a post-game cup of Peets and an hour of people watching on a bench outside, confirming my opinion that a national dress code was long overdue. I crossed the Embarcadero to Market where, as I approached, I was happy to see the 2 Clement at the bus stop, just sitting there with its door open, its engine idling, its driver, a portly white man, at the wheel. All for me!, I silently exulted, a gift from the public transit gods! I bounded up the buses' three steps, flashing my wife's senior pass at the driver, who half rose out of his driver's seat and yelled virtually in my face, "Out of service! Get off. Can't you see I'm out of service?"

Of course. Silly me. A bus idling at a bus stop with its door open and its uniformed driver at the wheel? What else could it be but out of service?

I suggested, politely, in my best calming, therapeutic voice I keep ready for encounters with psychos, "Why don't you close the door if you're out of service?" The driver, mute, looked straight ahead.

I dismounted. A black female driver appeared. The psycho driver got out of his out of service bus without looking at me. I fought off the temptation to remind him that fat guys are supposed to be happy.

The new driver welcomed me. "You can sit down on the bus if you want, but I can't leave for another 15 minutes because of the schedule." I thanked her and got back on, so pleased with her graciousness I wrote down the bus number and called in a commendation to the bus barn headquarters on Presidio.

A kindly sounding woman answered the phone. I explained that "driver number 2413 was very nice, but before her, male driver 1435, asked me if he could see my private parts. I'm a senior citizen from Mendocino County, and we don't do that kind of thing in my home town of Boonville. I thought I should report him because I doubt Muni wants perverts driving its buses."

The lady on the other end of the line paused before she said, "We'll make a note of that, sir. Thank you for calling."

10/9/2024   

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Miserable Douchebag, Part 19

From Pathetic Life #5
Sunday, October 9, 1994

Another day in beautiful downtown Beirut. The jets roar overhead every 3½ minutes. All day. If I’m sorta sane but I want to blow them out of the sky with a heat-seeking missile, I wonder how anyone, let's say, "less sane" is coping with it.

My guess? More fistfights that usual this weekend, more than the ordinary number of wives being beaten, and cops making especially brutal arrests. You can’t antagonize millions of people like this and not know that some of them are going to lose it.

I printed the September issue, with the roar of jets a mile high drowning out the roar of the typewriter a foot from my face.

Walked around Union Square for a while, with my overnight earplugs still in, of course, but I was feeling extra anti-social thanks to the Blue Angels, so I cut the walk short. Came back and ate a fat man’s lunch, four Spam sandwiches, and if four Spam sandwiches couldn’t cheer me up you know I was cranky today.

Tossed some stale bread at birds out my window, which I imagine pisses off the people downstairs, but to hell with ‘em. As the military monsters flew in precision formation through my forehead again, I gave up on getting any letters written, anything accomplished, or having two consecutive rational thoughts. Instead I’m (this'll surprise you) going to the movies.

Problem: There’s nothing much playing that I’m interested in, first run, second, last run, or rep. I settled on Fresh and Mi Vida Loco at Cinema 21, which, by the way, is a terrible name for a theater. Sounds like a porno place, doesn’t it? You'd expect the double feature to be Deep Throat and Deeper, but no, it’s an ordinary theater in the 2100 block of Chestnut Street in the Marina. Get it? 2100 = Cinema 21. A stupid name if you ask me, but so's the Blue Angels. Vrrrrrroooom!

♦ ♦ ♦

Sigh. I should’ve known. Frisco has the the most frequent but least reliable transit, and you can’t get to the Marina on Muni. Not today, anyway. Three #30 buses went past, on schedule but without taking passengers, because the buses were so tightly packed with people, there was no room for more. The driver didn’t even pull over. Me and two strangers waited under Bush on Stockton, stranded. I was the first to give up, because the first show is the only discount matinee, and I’m not intrigued enough by either Fresh and Mi Vida Loco to pay the full-price seven bucks admission. Screw that.

Several years back, some executive in the mayor’s office — maybe the same moron who invited the Blue Angels to ruin the weekend — must’ve commissioned a study to determine which bus routes had an occasional empty seat, and of course, those routes were cut back. Now if it's daylight hours on any of the busy routes, “riding Muni” means standing on Muni, and only if there’s room to squeeze aboard.

I returned to the hotel to seek cover from the bombers, wrote what I just wrote, and checked the movie listings for a second choice. Here we go: A double feature of Harvey Keitel movies brings me back to the Roxie for the third day in a row. And I can take BART instead of Muni, so there'll be a seat.

♦ ♦ ♦

Harvey Keitel is a great American. I don’t know if he’s a good actor, because he always plays the same crusty, tired, miserable douchebag, but speaking as a crusty, tired, miserable douchebag, I like the character he always plays.

Cop Killer (1983) has Keitel as a corrupt police lieutenant (badder than Bad). By day he’s on the NYPD vice squad, and at night he listens to the same song over and over again on his record-player, in a stark, unfurnished flat he shares with another corrupt cop. So he's a crusty, tired, miserable douchebag, and then Johnny Rotten knocks on the door to confess that he’s the serial cop-killer who’s been terrorizing the city. After that, the only question is who’s a more miserable douchebag, Rotten or Keitel?

Fingers (1978) has Keitel playing the piano, when he’s not beating up deadbeats who owe money to his father, a small-time loan shark. He has some painful personal and pecker problems, and carries a cheap boombox everywhere he goes, playing 1950s girl group songs way too loud. 

Two solid, early performances from Keitel, and nobody plays Keitel better than Keitel. I'm convinced that all his movies are sequels to each other. Coming soon: Miserable Douchebag, Part 19.

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By the time the movies let out, the Blue Angels had landed for the day. With a few hours of peace at last, I wrote a letter and went to bed early. I’ve got appointments with the dentist and an eye doctor tomorrow, so I’ll go to work a few hours early to make eight hours.

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Before I turn in, though — here's a thought that's been percolating since I typed “vice squad” several paragraphs ago:

The concept of a vice squad is bullshit and it shouldn’t exist. They’re the cops who come after you for gambling, prostitution, drug use, or pornography, which in a free society ought to be not a crime, not a crime, not a crime, and not a crime. Vice laws don’t do anything except make people miserable, all for no purpose except the joy of making people miserable. Sorta like the Blue Angels.

This is an entry retyped from an on-paper zine I wrote many years ago, called Pathetic Life. The opinions stated were my opinions then, but might not be my opinions now. Also, I said and did some disgusting things, so parental guidance is advised.