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CRANKY
OLD FART'S

BROWSER
HISTORY

#415  [archive]
APR. 12, 2024

The non-profit States Newsroom now has a full-time presence in all fifty states
    States Newsroom first impressed me when I lived in Wisconsin, and read the Wisconsin Examiner daily. Since moving to Seattle, I've been reading the Washington State Standard, too. These are strong, solid journalistic efforts, and there's one near you.  

NYPD officials orchestrated smear campaign of police critic using confidential details of her rape, lawsuit alleges  

Police Chief hailed as hero for running red light, causing wreck

US will require background checks for gun shows and online firearm sales
    That headline is far too optimistic. Much more likely, by next week there'll be a 2nd-Amendment lawsuit from Republicans, a judge owned by the Heritage Foundation will block the rule change, and there'll be years of legal action that finally goes before the Supreme Court. Where we know the verdict already. 

Vatican blasts gender-affirming surgery, surrogacy and gender theory as violations of human dignity
    This is barely news, and the headline might as well be 'Hate group hates', blah blah blah.
    But jeez, I giggled at the start of the fourth paragraph: "In its most eagerly anticipated section…" Even among Christians, and even among very-very-Christian fanatics, is there anyone who "eagerly anticipates" the Vatican's declarations of church doctrine? 

Florida's anti-trans bathroom law spurs harrowing vigilante attacks
    In other words, the law is working exactly as Republicans intended. 

Tenth consecutive monthly heat record signals looming doom
    We need one of our leading scientists to put his newborn baby in a rocket and launch it toward another world.
    (Too obscure? It's a Superman reference.

The wealthy are building "passport portfolios" — collections of second, and even third or fourth, citizenships — in case they need to flee their home country 

Why are so many young people getting cancer?

The Washington press corps doesn't have a freaking clue 

US government needs to be prepared for Trump's post-election violence 

Republican National Committee courts election conspiracy theorists to help watch polls  

Anti-vax wingnuts are trying to take over a Florida hospital 

Ohio to purchase mobile homes to train public school staff in firearms 

Saying prosecutors should focus on Antifa, judge frees white supremacist in beating 

Trump's discounted $175-million bond is, apparently, not a bond at all 

Amusing, Interesting, Outrageous, or Profound
    AIOP is my Lemmy page, for anything that's (in my opinion) amusing, interesting, outrageous, or profound. It's mostly a rough draft of this page, but you're invited to stop by.

♫♬  MUSIC  ♫ 

A Few Words in Defense of Our Country — Randy Newman 

Failed State — David Rovics 

Illegal Smile — John Prine 

On a Mission — Squid Physics 

This Land Is Not Our Land — Utah Phillips 

⚰️  OBITUARIES  ⚰️

Akebono
American sumo 

Patti Astor
actress, Wild Style 

Lyn Hejinian
poet and professor 

Clarence "Frogman" Henry
rock'n'roller, "Ain't Got No Home" 

Peter Higgs
structure of atoms and matter  

Robert MacNeil
PBS News Hour 

Trina Robbins
artist, It Ain't Me, Babe 

OJ Simpson
footballer, longtime grieving widow 

Sara Tafuri
actress, City of Women 

Arthur Taylor
activist for forgotten people 

Dan Wallin
sound engineer, Spartacus

4/12/2024      

Cranky Old Fart is annoyed and complains and very occasionally offers a kindness, along with anything off the internet that's made me smile or snarl. All opinions fresh from my ass. Top illustration by Jeff Meyer. Click any image to enlarge. Comments & conversations invited. 

Tip 'o the hat to the AVA, BoingBoing, Breakfast at Ralf's, Chuff, Dirty Blonde Mind, It Seemed Like a Good Idea at the Time, Lemmy.world, Looking for My Perfect Sandwich, Miss Miriam's Mirror, Voenix Rising, and anywhere else I've stolen links, illustrations, or inspiration.

Special thanks to Linden Arden, Becky Jo, Wynn Bruce, Joey Jo Jo emeritus, Jeff Meyer, John the Basket, Dave S, Name Withheld, and always extra special thanks to my lovely late Stephanie, who gave me 21 years and proved that the world isn't always shitty.

What do you have in you?


An old acquaintance reached out to me recently, and I'm fairly well hidden so that took some work and some luck.

Maybe it's a thing these days, that when people get older they reach into the past, knowing the end is just over the next hilltop, or the hilltop after that.

An email arrived, and the name seemed ever so slightly familiar. It had been twenty years. I read it, replied, and we traded a few messages before fading out of each other's lives again.

In one of my emails I asked about her sculpting, because she'd always been so passionate about it. She said she'd given it up years ago, and instead started spending most of her spare time watching TV and surfing the internet.

"I haven't done any art in years," she said. "It seemed pointless."

It's a loss to the world, I replied and meant it, when someone who's creative stops being creative. Our emailed conversation soon ended, probably because of that line, so I'll expound but only for you:

People who have music in them should sing, or play the trumpet, or bang on drums until the cops come banging on the door. People who want to dance should float and twirl through at least one room of their home daily. People who want to write should write, whether it's about the wildest things in their memories or imaginations, or the blandest.

Our passions make us who we are. If we abandon our passions we've lost a big part of ourselves.

Many people are content to consume the creativity of others, making none of their own, and there's nothing wrong with not being creatively inclined. There are plenty of people who (let's always be honest) have nothing creative to contribute.

If you've read this far, though, I don't think that's you.

If you have an urge to create or perform, if you imagine things others might not, well, you're the only person in the universe who can create what you'd create. Nobody else can draw your drawings, tell your stories, or chisel a block to sculpt what you'd sculpt.

If you once had a creative spark, you still have it. Doesn't matter if it's been decades. Doesn't matter whether it pays. Doesn't matter whether it's popular, appreciated, or ignored. Doesn't even matter whether it's good. What matters is, if you have something in you, let it out.

11/28/2020   
Republished 4/11/2024   

Fortress and 42nd Street,
and a few more films

Force of Evil (1948)
Streaming free at Internet Archive

Joe Morse (John Garfield) is the lawyer for some gangster-guy who's in the numbers racket. Joe's brother Leo (Thomas Gomez) is in the numbers racket, too, but strictly small-time, and he runs an honest shop.

In Joe's realm, the winning numbers can be rigged, and with the Fourth of July coming up, he's set '776' to be the winning number. His slick reasoning is, lots of rubes will bet on '776' because it's Independence Day, and with so many winners the smaller players in the numbers racket will go broke, and turn to Joe and his cohorts to bail them out. Once the scam is in motion, Joe's brother Leo hasn't got a chance.

NEVERENDING
FILM FESTIVAL
#274  [archive]
APR. 10, 2024

No idea whether it was the filmmakers' intention, but to me this plot is an allegory for American capitalism. Little guys like Leo work their shiny heinies off trying to get ahead honestly, but when a big guy makes a big play, the little guys go down.

Then again, maybe I'm reaching. I don't really understand how the numbers racket works.

It's a fine piece of noir. Garfield is delightfully hateworthy, Gomez is a rare movie good guy who's chubby, and a pretty woman (Beatrice Pearson) is inexplicably drawn to the shady Joe. 

Verdict: YES.

♦ ♦ ♦ 

A Foreign Affair (1948)
Streaming free at Internet Archive

Jean Arthur plays US Congresswoman Phoebe Frost, an ice-chilled but highly efficient politician who comes to Berlin to investigate misbehavior by American troops during the post-war occupation of Germany. Ms Arthur is charming, as always. She was probably born charming. 

John Lund plays Captain Johnny Pringle, who's inappropriately entangled with Erika von Schluetow, played by Marlene Dietrich. Lund has a difficult task, trying to play at romance while fraternizing with the enemy. Lund and Johnny are both mostly successful.

As for von Schluetow, she sings at a popular nightclub, and complains about the harsh post-war conditions in Berlin. During the war, she was the mistress of high-ranking Nazi official, and in a flashback we see Adolf Hitler familiarly kissing her hand. I'm a Dietrich fan, but that's hard to take.

"Bombed out a dozen times, everything caved in and pulled out from under me. My country, my possessions, my beliefs... yet somehow I kept going. Months and months in air raid shelters, crammed in with five thousand other people. I kept going. What do you think it was like to be a woman in this town when the Russians first swept in? I kept going."

Understood. It must've been rough to be German after the end of World War II, seriously. The movie says there aren't many good guys or bad guys; most of us are nebulously in between, and that's a valid point.

The film is certainly sexist, lags in the middle, and it's odd feeling sorry for Nazi sympathizers, but A Foreign Affair is a comedy with plenty of memorable moments and lines and laughs.

It's directed by Billy Wlider, and co-written by Wilder and Charles Brackett. They also co-wrote The Lost Weekend, Ninotchka, and Sunset Blvd, among other classics, so this is probably better than I think it is. And I think it's pretty good.

Verdict: YES.

♦ ♦ ♦ 

Fort Apache the Bronx (1981)

This looked dumb to me when it came out, and I wasn't interested. An acquaintance at the time, Philippe, invited me to see it with him, but I said no, and soon he drifted away like everyone does in my life.

Eventually I wondered what became of that guy, so I Googled him, and found out that Philippe had been killed in a car wreck around the turn of the millennium. In his honor I added this movie to my watchlist, and several years later, I'm finally getting around to watching it.

Aaaand… my instincts way back when were right. It's only pro-cop propaganda, about how rough it is to be a policeman on the rough streets of the Bronx.

Officers Murphy (Paul Newman) and Corelli (Ken Wahl) aren't just good cops, they're kind cops — friendly, nice to the natives, trying to avoid violence. Danny Aiello is the bad cop, who encourages Murphy to pull his gun more often. The great Pam Grier is reduced to walking around dressed like a hooker, but she's actually on a murder spree. Ed Asner is the tough new station captain who doesn't understand how things are in the Bronx. 

But it's mostly about Murphy and Corelli. In what appears to be just one day on the beat, they rescue a suicidal man by grabbing his ankles to keep him from jumping off a tenement roof, then Officer Murphy clowns around to distract and disarm a crazed man with a knife, delivers a baby and says it's his 17th, and gets angry when a pimp offers him a bribe. Then somehow Murphy and Corelli also find time to return to the hospital to check on the suicidal guy from that morning.

Other extreme impossibilities arise along the way, too many to list. All that needs to be said is: There are no cops like Officers Murphy and Corelli in our world, but there are lots of movies like Fort Apache the Bronx.

Verdict: Rest in piece, Philippe, but it's still NO.

♦ ♦ ♦ 

Fortress (1992)
Streaming free at Tubi

This is one of my favorite schlock movies, low budget but high entertainment. I've seen it 10-12 times over the years, so it's flabbergasting that I've apparently never written a review.

In an apocalyptic near-future, having a second child is against the law, even if the first baby has died. Karen (Loryn Locklin) is illegally pregnant, so she and her husband John Brennick (Christopher Lambert) try to cross the border into Mexico. She gets away, but he's arrested, and it's always tickled my sci-fi and anarchist sympathies that's he's trying to escape from America.

Brennick is sent to a high-tech private prison that's cruel as a rule. Called The Fortress, it's the world's largest underground penitentiary, 33 stories deep, and armed with neutron cannons and android guards on rails in the ceiling. Other inmates include a pre-Re-Animator Jeffrey Combs, and the warden is a marvelously snarling Kurtwood Smith (That '70s Show). 

With plenty of fights, thrills, zaps, and zingers, this is a near-perfect schlock-action-prison-sci-fi flick, and the prison's grisly torture mechanisms still seem futuristic. The movie hasn't aged as much as I have over the last 30 years. 

On check-in, inmates are fitted with 'intestinators', belly-borne devices that inflict pain as discipline, and transmit dreams to the warden's office, so he can watch. I'm sure the CIA is working on such tech.

Directed by Stuart Gordon (Dolls, Re-Animator, Robot Jox).

Verdict: BIG YES.

♦ ♦ ♦ 

42nd Street (1933)
Streaming free at Tubi

A rich old man (Guy Kibbee) agrees to underwrite a new musical on Broadway, and make Dorothy (Bebe Daniels) the leading lady — if she'll sleep with him. She's in love with her vaudeville partner (George Brent), but show business is rough, so she says yes. Welcome to pre-code!

This might be the movie that invented the genre of backstage melodrama. Dick Powell plays a sweetie sweetly, but 42nd Street is mostly owned by the ladies. Ruby Keller plays Peggy, the rookie who's never been on stage before, and Ginger Rogers plays "Anytime Annie," whose nickname means what you think it means.

Julian Marsh (Warner Baxter) plays the high-power big-ego stage director, and he's determined that this'll be his last and best show, so he spends the entire movie being bastardly to the cast. He never stops haranguing the dancers, never has a compliment or a word of encouragement, and when a performer is nervous, he offers a long anti-pep talk full of exactly the wrong things to say.

The songs include "You're Getting to be a Habit with Me," "Shuffle Off to Buffalo," and of course the titular "42nd Street."

What's best here is the dancing, with always-inventive choreography by Busby Berkeley — dancers on a ballroom-size turntable, overhead shots of perfect dancing that looks like animated gift-wrapping, street crime staged as dance, and the classic camera swoop through the showgirls' legs, borrowed in The Big Lebowski. When everyone's whirling and twirling to Berkeley's setup, this flick is frickin' amazing.

And what's worst is Warner Baxter, as the cruel boss. Berkeley should've choreographed someone socking him in the face.

Verdict: YES.

 4/10/2024  

• • • Coming attractions • • •     

Foul Play (1978)
4D Man
(1959)
4:44 Last Day on Earth
(2011)
Four Horsemen
(2012)
Four Horsemen of the Apocalypse
(1926)
The 400 Blows
(1959)

... plus schlock, shorts, and surprises

— — —
'Movie reviews' that that recount the plot, paragraph after paragraph, suck. My pledge to you: I'll only give the basics of a movie's premise, with no spoilers after that.  
— — —

Illustration by Jeff Meyer. Click any image to enlarge. Arguments & recommendations are welcome, but no talking once the lights dim, and only real butter on the popcorn, not that fake yellow stuff. 
 
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The Ajax Motor Hotel

"You can stay as long as you pay,"
she said."Daily, weekly, monthly."

I grew up in Seattle, but I'd had enough of living the expected life. My girlfriend had dumped me, and I hated my job. I had only a few friends, and a yearning for something unexpected.

So I sold or gave away or dumpstered almost everything I owned, then packed what little was left into my van. 

With a few thousand dollars up saved by living poor, I drove to California, and eventually landed in San Francisco. That's not where I was headed, though. Could've sworn I was moving to Los Angeles. Swimming pools. Movie stars.

Spent a couple of weeks in L.A., sleeping in my van but renting a hotel room every third night for the shower. The City of Angels vexed me, though. The sprawling hugeness of it was daunting, and there were no neighborhoods with the very cheap housing I wanted. Pretty soon I shrugged, and decided if Los Angeles didn't want me, then screw the place.

Retreating over a minor mountain, I stopped for breakfast at Pappy's Coffee Shop in Bakersfield, a hundred miles north of L.A. The omelet was great, and halfway through the hash browns, I decided to settle in Bakersfield. 

From room-for-rent listings in the paper, Bakersfield housing seemed about 50% off from Los Angeles. To find rents even cheaper, I drove around the city's worst neighborhoods, looking for a "room for rent" sign.

In an area where half of the homes were boarded up and the others had rusted beaters on blocks in the front yard, I turned a corner and found what I'd been looking for.

The sign said, "Ajax Motor Hotel," a smaller sign underneath said, "Vacancy," and a third, even smaller sign listed the rates: $9 nightly, $50 weekly, $175 monthly. That was damned cheap even then, and less than I'd hoped to pay.

The Ajax was a long, very old one-story building, behind a blistered parking lot. It was so run down and dilapidated, for a moment I wondered whether it was abandoned. 

No, a few people were smoking cigs and talking in front of their rooms. They looked Mexican, which was AOK by me. The more they spoke Spanish, the less they'd speak to me, and I prefer the quiet.

So I parked, got out, and heat bouncing off the ancient asphalt melted me. Bakersfield is a sweaty place. I opened the door and walked into the manager's office, which was air conditioned, thank cripes. 

An old white lady was reading a newspaper at the desk, but she put it down and smiled at me. We traded good mornings, and I said, "I've never stayed in a hotel with weekly rates, so how does that work?"

"You can stay as long as you pay," she said. "Daily, weekly, monthly." 

"Can I see a room?"

"Sure, sugar," she said, and I liked her already. She turned to a row of slots on the wall behind her. Most held mail, but a few of the slots had only a key inside. She grabbed one, announced "Eleven," handed me that key and pointed south.

It was a hot day and a long walk to the door with '11' on it, so I got into my van again, started the engine and especially the a/c, and drove to the room. 

Turning the key and opening the door, cockroaches were the first thing I noticed. A dozen were visible as I walked inside.

A very old air conditioner was in the window, and I turned it on. It blew out air that stank of mildew, but it was cool, refreshing mildew.

Looking around the room, I splattered a roach on the wall, which hurt my hand. Holy moly, the walls were made of concrete! No amount of huffing and puffing could blow the place down, which seemed reassuring, this being earthquake territory.

The room had a bed that sagged and squeaked, a single wooden chair, and a small linoleum table that soon became my writing desk. 

There was no kitchen, but I found a counter with an outlet, just right for my microwave and mini-fridge. I don't cook, so who needs a kitchen?

The bathroom was ridiculously gigantic — a sink, toilet, and shower, spread across a space almost as big as the bedroom. I'm not a party guy, but one person could've sat on the toilet while another shaved at the sink and a third was in the shower, and none of them would've felt crowded.

The a/c worked well, making the place almost comfortable within minutes, the neighborhood was largely abandoned so it ought to be quiet, and I'd lived with roaches before, so everything seemed fine to me. I hauled in a box of books from my van, left it in the bedroom to mark my turf, and returned to the manager's office.

Told the lady I'd take it, and she asked only, "Daily, weekly, or monthly?"

"Monthly," I said, and slid cash across the counter. She pushed a registration book toward me, and I signed it, making the Ajax Motor Hotel my home.

Never lived in a hotel before, so I asked, "Is there maid service?"

She smiled but did not chuckle. "This ain't that kind of hotel, toots."

I said thanks, and while walking back to my new room, it occurred to me that I could've signed in as Toots. I could've been Toots Tooterson — she hadn't asked to see any identification. No references, no background check, no employment verification. "You can stay as long as you pay," and that's all they asked.

She also hadn't bored me with any ominous rules, so yeah, I knew I'd like the place.

And I did. Liked it a lot. It was my first residential hotel, and unlike the bum hotels I later stayed at in San Francisco, my bathroom was all mine at the Ajax.

And that bathroom was so preposterously oversized, I pushed the bed into it. This left the bedroom as mostly storage and wasted space, and gave me the great luxury of being able to literally roll out of bed and into the shower or onto the toilet in about two footsteps.

Where I'm living now, it's 28 dang steps to the toilet, and I envy the memory of living in that ginormous john at the Ajax.

With the motor hotel's concrete walls, I could kill roaches with my hammer. "Oh if I had a hammer" — blam! — "I'd hammer in the morning" — blam!  Many roaches were splattered to the rhythm of that song, and their corpses stayed on the wall as decorations.

My first instincts about the manager proved true — she was a delightful old broad, always friendly but never asking too many questions. Marge, was her name. She's still the only rez hotel worker I ever saw who wasn't named Patel.

She subscribed to the local newspaper, cleverly called The Californian, but she rarely bothered to get it from wherever the paperboy had tossed it. When I walked around the grounds, I would pick that day's paper off the asphalt, bring it to Marge in the office, and we'd talk for a few minutes.

Other than ordering burgers at the drive-through and arguing with someone at a grocery store once, Marge was the only person I had any conversations with in Bakersfield. I loved her non-nosiness. She never asked where I was from, or how long I was staying, and never asked me to accompany her to church. Bless you, Marge, wherever you are now.

After just a few weeks, though, I knew I'd be moving on. Marge and the roachy Ajax were great, but Bakersfield was unbearably hot — 109°, the day I decided I was leaving.

Also, the city is repressive, with the meanest cops I've seen anywhere. You'd see police at the side of the road hassling someone, and of course, it was always someone Mexican or Hispanic or black. In my month in Bakersfield, I must've seen forty people being hassled by cops, and none of them were white.

There were also police helicopter patrols, overnight. It was Blade Runner, or a nightmare. A chopper would hover over the neighborhood, shining a high-power spotlight down, illuminating one street, one alley at a time, like a manhunt for an escaped convict — except it happened almost every night I was there. My concrete walls blotted out most of the helicopter noise, but Bakersfield wasn't America, and I couldn't stay.

Before leaving, I thoughtfully wiped hundreds of splattered roaches off the wall. Then I said goodbye to Marge, dropped off the key, and stopped for one last breakfast at Pappy's.

Even then, San Francisco wasn't in my sights. Thought I'd try living in Fresno, maybe, or Sacramento, but a San Francisco Chronicle was in an empty booth at Pappy's. Eating my omelet and coffee, I skimmed the news and sports, and then flipped to the arts & entertainment section.

The paper had ads for several San Francisco theaters showing old movies, and I love old movies. And that's when I finally had the thought I should've started with, when I'd decided to leave Seattle.

San Francisco is famously weird, and I was absolutely a weirdo, so why not try it? By sunset I was there, the next day I'd found a room, and it wasn't long until San Francisco became part of me.

10/7/2021   
Republished 4/10/2024   

Hello neighbors. You are loved.

A fat white schmuck walks to the dumpster, on a gray morning as winter approaches. You wouldn't notice me if you saw me, but if you did you'd assume I'm grumpy.

Everyone assumes it. Grumpy is my default setting. From years of grumpiness, It's etched into my face even in a better mood.

Can't deny it this morning, though: There's a whole lot of stupid in the world, and I rarely rise above it, and today I'm not trying.

Can you read this?
On the sidewalk between the building and the trash bins, there are some ugly chalk marks. I've rarely seen the neighborhood kids, but in the summer months there are sometimes doodles on the sidewalk. Kid stuff — chalk arrows and stick-people, occasional words, or some 2000s variant of hopscotch.

There are a few words on the sidewalk, but they're upside-down to me. The trash is heavy and the bag is in danger of ripping, so I don't stop to read whatever's written, until I'm returning from the bins with my hands empty.

It's faded, like the words were drawn the day before the day before yesterday. It's been bleached by the sun, but squinting and cocking my head, I think it says, "HELLO NEIGHBORS YOU ARE LOVED."

And I roll my eyes. Is chalked encouragement supposed to be helpful, amidst COVID and economic ruin and climate change and Donald Trump and everything else that adds up to such a shitty 2020?

Well, it's not helpful, ya darn kids... Just a bunch of childish rot on my way back from the rubbish bin, but ... but I guess it doesn't hurt. Maybe it's kind of sweet, if it was chalked by some especially naïve 5-year-old.

It makes me crack a slight smile, and what d'ya know, I'm not as grumpy as a few minutes ago. I walk back to take a second look, and to take a picture. Maybe it'll make you smile a little, too.

11/7/2020   
Republished 4/9/2024