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Huckleberried alive

It's time for the monthly movie with my brother Clay and his wife Karen, and this time with a long-time friend, Leon. We used to do it via the internet, but now it's live and in person.

The plan this month was that we'd meet for breakfast at Huckleberry Square, a long-standing local favorite in Burien, a south-side Seattle suburb. After that we'd be driving to Leon's house to watch the movie — In the Good Old Summertime (1949), starring Judy Garland and Van Johnson.

Leon lives in Seattle, so going to his house is far, far easier than last month's epic journey to and from Clay's house. I screwed up, though — in my text exchanges with Clay setting this up, when he said we'd meet at noon at Huckleberry Square, I only answered that at noon on Sunday, almost any restaurant will be very, very busy. In hindsight, I should've stressed this more as a problem, not merely a prediction.

See, I always avoid the rush at a restaurant. If I'm going to breakfast, I like to be there when they unlock the door, and for lunch I'd rather go hungry than order anything between 11:30 AM and about two in the afternoon. Too many people, too hectic, too much of a chance they'll screw up my order.

Avoiding the rush at restaurants has been my habit for so long that it wasn't until yesterday at Huckleberry Square that I remembered how much I hate being at a restaurant during their busiest time.

When I opened the door there were thirty people in line, talking or looking at their phones or just looking bored until their names would be called, when a table was eventually vacated. Oh yeah, I thought to myself, this is how normal people do breakfast at a restaurant.

So I sighed and leaned on a wall and waited, until Clay and Karen and Leon arrived. They made small talk while we waited, but my talk was smaller. All those people, all that noise, and all my hatred of crowds.

To Clay and Karen and Leon — to anyone who's not nuts like me — queuing with yakking strangers is a brief delay, nothing more. For me, a social situation is difficult already, and the crowd made it worse. Trapped and claustrophobic, I felt the opposite of at ease, and if I'd been alone I would've left. Or course, I also wouldn't have been there, not at noon on a Sunday.

We'd been jam-packed elbow to ankles waiting for twenty minutes, before I noticed that nobody in the waiting room was masked, but all of the staff were. Guess my hatred of crowds had overwhelmed my fear of disease. Belatedly I covered my face with the mask that's always in my pocket, but probably coronavirus came with my breakfast.

While we waited, I looked around the room, and lo, there were huckleberries. Everything's huckleberry. Huckleberry Square sells their own Huckleberry Square syrup and Huckleberry Square mugs and t-shirts. It's locally-owned so I'm supposed to love it, but it feels like a theme park disguised as a restaurant, and the theme is — huckleberries. I don't even like huckleberries, so the allure of Huckleberry Square eluded me, but finally, someone called Clay's name, and it was our turn to be huckleberried alive. 

Once we were seated, it was five minutes before anyone came by to pour drinks, and the restaurant was so loud, endless tables all full of people talking and eating, I must've missed the offer of coffee, because water was all any of us drank.

It was another ten minutes before a very bored waiter came to our table, wearing a mask but with his nose, mustache, and upper lip exposed. He took our orders, and 25 minutes after that — well over an hour after we'd arrived — breakfast was finally served. At Bob's Diner, at Little Pat's, an hour after I walk in I'm home again with a full belly.

As for the breakfast itself, it certainly didn't explain the crowd, so I'll explain the crowd: People are idiots. That's the only explanation. Don't follow the crowd, in general, and especially don't follow the crowd to Huckleberry Square.

They served us an ordinary restaurant breakfast. My omelet was pretty good, but the hash browns were severely undercooked and cold in the middle. Leon had ordered a Huckleberry Slam, obviously their riff on the over-advertised "Grand Slam" at Denny's, which he thought implied it would be a sizable breakfast, but wow, the portions were so small even Leon complained, and he's skinny. 

He couldn't complain to the waiter, though. The only person who asked us if everything was OK was me. The waiter vanished to a dimension beyond time and space, returning only at the end to bring us the bill, which wasn't split though we'd asked for separate tabs as we ordered. Also, his mask was still dangling so low it served no useful purpose.

Part of the fun of Huckleberry Square is that the restrooms are hidden, and you get to hunt for them, so before I could pee I walked all around the seating areas, searching for a sign or door that said 'restrooms' or 'men'. When I couldn't find a place to pee or an employee to ask, on my second lap around the restaurant I gave up and interrupted an old guy's breakfast with his wife or concubine. "Hey, where's the john?" I asked. You figure an old guy would know, and yup, he pointed me toward the back of one of the dining rooms, where there's no sign, no door, you're simply supposed to sense that if you walk past the last table and turn left there'll be a men's room.

The real frustration came when we tried to pay. The unwritten rule of restaurant tabs is, if your bill is on a tiny tray you pay at the table, and if it's a piece of loose paper you pay at the register. There was no little tray, so we walked to the register. As we walked, Karen even asked an employee, "Do we pay at the register?" The answer was yes, but it turns out it's more complicated than that.

I handed my tab and a twenty to the woman working the register, and she grimaced and said I could only pay with plastic. If you're paying with cash, she said, you go to a different register somewhere else in the restaurant, or maybe you pay your waiter at the table — even now, I'm confused about it. The restaurant was loud, and she mumbled, and I'm hard of hearing, and there were no signs explaining any of this.

Huckleberry Square accepts cash, but not at the cash register — got it. So I put away my money and inserted my card into their machine twice, getting a 'chip malfunction' each time. She told me to swipe the card, which led to a different error message. I tried another card, but she said she needed to reset something first, though she hadn't said it until after I'd inserted the card and gotten a very loud double-beep violation.

This reporter gets cranky sometimes, and this was one of those times. We'd wasted an hour and a half eating a dull meal with crap service in a hectic and unpleasant restaurant, and now they'd been refusing to accept payment for perhaps a minute, so I said, "I'll be paying cash," and left my money on the counter.

I walked out without waiting for the change she wouldn't have had anyway, in her no-cash-allowed cash register, so I'd basically double-tipped at that crappy restaurant — five bucks at the table, and then four bucks and change at the register.

If we'd gone before or after the rush, who knows, maybe I would've found Huckleberry Square charming. At noon on Sunday, though, I hated the place, and now I can't imagine going back any time under any circumstances, unless someone else is buying my breakfast.

I stood outside in the rain until Clay and Karen came out, and thankfully they didn't mention my ill temper at the register. Karen invited me to ride in their car to Leon's house, so I followed them across the parking lot to their SUV.

Not until Leon joined us in the rain a moment later did I understand that riding with them meant Leon would be driving to his house alone. Faux pas. He looked disappointed, and I realized too late that ten minutes riding in Leon's car would've been our only chance to talk, just him and me.

When Clay got behind the wheel and started his car, it began playing audio of some gent with a deep voice and a British accent, saying something like, "—over the lush hills and under a tree that he somehow knew was threatening, a light shone brightly, when all other lights had gone out..." That's not an exact quote, but whatever the voice said, it seemed like a very odd BBC newscast.

Clay clicked it off immediately, and I said something clever like, "Well, that seemed like a very odd BBC newscast."

Clay said, "It's The Lord of the Rings, a book we're listening to," and he clicked a button to make the British voice start talking again. The British voice talked to us all the way to Leon's house, and nobody else got a word in.

Once we arrived, everyone settled onto chairs or the couch, and we all talked for a few minutes. It was the only comfortable chat of the day — no crowd around us, no traffic or J R R Tolkien, just the four of us in Leon's living room. The conversation ended after only a few minutes, though, when Clay and Leon started navigating an app toward our movie.

"It's four bucks," Clay said when he'd found it.

"Oh, don't pay," said Karen. "I've seen this movie, and it's not worth four dollars."

"You OK if we watch something else?" Clay asked me, and I shrugged. I've never seen In the Good Old Summertime, but with the exception of The Wizard of Oz, Judy Garland movies usually disappoint me, and anyway, it's an ancient black-and-white flick, probably in the public domain, and if it's not it should be. I'm a cheapskate, and I agree with Karen — four bucks is four bucks too much for an old movie we're not that eager to see.

What followed was a very brief negotiation about what we'd watch instead, and it turned out to be Jumanji, I thought — the remake of the old Robin Williams movie. It was free on whatever service it was on, so suddenly we were watching Danny DeVito and Danny Glover, and after a while Leon said, "Actually, I think this is the sequel to Jumanji."

I'd never seen the original, if a remake can be called 'original', but this wasn't The Seventh Seal. I was keeping up with the plot and character development despite missing the first movie. Another twenty minutes on, someone else said, "Wait, I think this is the sequel to the sequel, the third Jumanji movie, not the second."

Whatever it was (Jumanji: The Next Level (2019), says Google and IMDB), the movie was painless but brainless. A bunch of people play a video game, with Dwayne Johnson and Kevin Hart as their avatars. It's 89% CGI, 6% lame jokes, 4% amusing jokes, and 1% relevant to human life, but it was vaguely funny watching Johnson imitate DeVito. What I remember most is the very elaborate end credits, suggesting that the people who made this movie were proud of it.

If I'd been watching it alone, I would've clicked it off long before Karen Gillan became Jack Black, but the four of us made occasional wisecracks funnier than the movie itself, and three out of four of us enjoyed the movie.

Perhaps Clay and Karen had somewhere else to be, because when Jumanji 3 ended there was barely time to pee again before we left. Finding the toilet was easier at Leon's house than at Huckleberry Square, though.

Then Clay and Karen drove me home, and it was raining quite hard so I appreciated not having to wait for a bus. As he drove, we heard more of Lord of the Rings.

At home, I took a caffeine pill to ease the headache from lack of coffee at breakfast, and tilted back in my recliner to contemplate my afternoon with Clay and Karen and Leon.

They're people I love, people who love me, and I wouldn't take back the day we'd just spent together… but it all seemed so damned shallow. In four and a half hours together, we talked — really talked — barely at all.

Leon said he was enjoying his retirement, and showed off a shelf he'd added to the wall, and said he'd had the cable disconnected because they raised the price to $70 a month and it's not worth it.

Clay recited a few facts he'd researched on-line about the movie, but it was about the movie we didn't watch, not the movie we did. And then he fell asleep during the Jumanji thing.

Karen said Clay falls asleep often, and that he's going to see a doctor about it in a few weeks. And on the drive to my place, she pointed out the Boeing facility where she'd worked before her retirement.

And what did I say all day? Not much, and I don't remember much of that, except what I've typed above. Oh, and after the movie, I tried to guide Clay through the rain and traffic, up the hill, turn right at the 7-Eleven, etc, toward my house. That was our conversation.

It's mostly on me, I know. I'm the introvert. I'm the missing man, even when I'm there. Got nothing much to say, and I don't ask many questions to keep a conversation going, so it's my fault, more than theirs. At the end of the day, though, sitting in my recliner again — alone — was a relief.

5/16/2022 

itsdougholland.com
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Interruption machines

My dratted and despicable phone company announced that my old cell phone would no longer work on their 'upgraded' system. Oh, hooray, I had to 'upgrade'. Had to abandon the flip-phone I've barely used (but also barely hated) over the past many years. My new phone doesn't even flip open

It has dozens of brand names (just apps, but they're ads no less than ads for Pepsi and Burger King) splattered across the home screen — or it had, as the first thing I did was hide the apps it wouldn't let me delete.

Then I denied permissions to every one of the remaining 34 (!) built-in apps, except the few necessary for making phone calls, sending text messages, and taking photos.

Switched off "location tracking," though I doubt doing so will stop anyone from tracking the cell phone's location. It won't do them much good, though, as I never carry a phone with me. It stays at home, just like my phone fifty years ago stayed at home. Home is where a person's phone belongs.

Philosophically, what I hate most about phones is that they interrupt. That's their purpose. They're interruption machines, so my next challenge was getting my new phone to shut the hell up. I don't want it to ring — ever. I don't want it to vibrate. I don't need to know when text messages come in. I need it to sit there and never make a sound.

Well, getting a phone to shut up isn't easy. They're designed to interrupt, and they'll fight to the death for their ability to interrupt. After weeks of wrangling, I'm pleased to announce that I've defeated the phone, and absolutely silenced it, except for one unwinnable challenge.

Despite clicking every option to mute everything, having all the volumes set to zero, and being in "Do Not Disturb" mode since the day the device arrived, this phone has awakened me twice for Amber alerts. 

Puh-lease. I am opposed to the kidnapping of children, OK? But an Amber alert on my cell phone waking me up at 3:00 in the morning is not going to rescue a child. I'm not going to grab a flashlight and go on patrol, looking for some distressed child.

It's a cruel world and I am just cruel enough that I'd rather sleep through some brat's abduction twenty miles from me. If offered, I would also decline murder alerts that would ring my phone every time some stranger is killed. Shit happens, as they say, and I wish it didn't, but please don't wake me up whenever shit happens.

5/16/2022  

itsdougholland.com
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Intentional rats

At most King County Metro bus stops, scheduled arrival times are posted on the pole, printed on thick paper, held behind a pane of protective plastic. It's not unbreakable plastic, though, and people being people, it gets vandalized.

Waiting for the #128 one morning, I found the plastic had been shattered, shards lying in the dirt alongside the thick card-stock paper, printed with all the arrival times. I probably muttered Assholes under my breath, but what the hell — I knew what time my bus was coming, so I stood and waited and then rode to the library. Didn't give it any further thought. Didn't even jot something into the "ideas for the website" notebook I carry everywhere.

At the same corner that evening, but across the street, I stepped down from my bus to start walking home, and saw an old woman walking to the stop where I'd caught my morning's bus. She noticed the same mess of plastic and paper at her feet, and maybe she muttered Assholes same as I had. Guess it hadn't rained, because the mess was still in the dirt, not in mud.

#147
Saturday,
May 14, 2022

She bent over and picked up the paper list, straightened it out, then popped it back into the metal frame on the side of the post, as I watched from across the street. Then her bus came, and she got on and was gone. There was nobody to even say thanks.

What's the pertinent cliché? It's better to light a candle than curse the darkness. Something like that.

That woman repaired some of the damage and made one little corner of the world a little bit better. There's no plastic to protect the list of times, but it's mounted again, and it'll probably stay legible through a few weeks of weather.

Not inspired by the above, but sorta. It's more a measure of how much I like Mrs Rigby's Diner:

I bused there for breakfast, but before ordering I darted to the men's room to pee. The last man to use that room had peed very sloppily, leaving drops (puddles, actually) all over the seat. I wasn't going to sit, but also wasn't going to stand for this. I carefully lifted the seat and peed, then lowered the seat and wiped it clean.

We had a rat in the house a few weeks back, set a trap and killed it, but a few days later I saw another rat. My flatmate Robert set out another trap, and now a second rat has been glued and then hammered, but a third rodent has been sighted. The place is infested.

Robert and Dean have both lived here for a year or so, and they tell me there was just one rat, eight or nine months back. Having the house overrun with rats is a new phenomenon.

And apparently, it's on purpose.

While I was at the library yesterday, Robert saw yet another rat scurry across the kitchen into the bathroom, and then into the narrow gap between the bathtub and the sink. He brought out his flashlight to investigate the rats' highway, and found something you'd never expect — a piece of cheese, about the size of a baseball. It's still there. The gap is too narrow to reach in and take it out, and anyway, Dean wants to show it to the landlord, right where we found it.

When I got home they showed it to me, and I'd show it to you, but the lighting was tricky and my photo came out stupid-impossible to make sense of, so I'll describe it instead: It's yellow with white speckles, a cheddar/Colby mix I think, roundish and a few inches wide. It has gnaw-marks all over the surface, suggesting that it used to be a larger chunk of cheese.

Cheddar/Colby cheese doesn't just grow in that gap, you know. Someone had to drop it down there, and it had to have been fairly recently, because the cheese isn't moldy.

The prime suspect is John, the previous tenant in my room. Robert and Dean have told me that they didn't like John, that the feeling was mutual, that he rarely spoke to them, and when he did he was often angry. Guess he hated living here, so the consensus is that he left us a going-away present — a block of cheese, hidden in a dark corner of the bathroom, intended to attract rats or mice. And it worked.

Dean says John could be prosecuted, but I think Dean's full of crap. There's no proof that John did it, and anyway, it's probably not illegal to drop cheese in a house where you're renting a room. It's not a nice thing to do, though.

I forget most of my dreams almost instantly. Guessing it's the same with most people, and it's an "intelligent design" to keep our worst nightmares from flooding into awake hours.

Last night I dreamed I was doing some outdoor chores (a nightmare in itself, cuz I'm fat and I'd sweat) but I was in good spirits and so were my neighbors, maybe because a great old pop hit from the '70s was playing. It was my new neighborhood, I think — very varied, black and Asian and stubbly Italian types, and all of us loved that song, even some kids way too young to have heard it when it was first popular. Some people were humming, one guy was singing along softly, and I started singing along too, at the point in the lyrics where someone was asking someone else to dance, or maybe just thinking about asking someone to dance. I don't dance, but it was a great old song.

Then I woke up and jotted down what I could, because that's the only way I can remember dreams. Working outside, diverse crowd, all digging the song, says my early-morning scribble, but even 30 seconds after waking up, I couldn't remember what the song was.

It was not "Do You Wanna Dance?" by Bobby Freeman or Bette Midler. Whatever it was, it was much faster, with almost a "wall of sound" sound. Any ideas?

If anyone's interested or hungry, Smokey's Char-Broiled makes excellent fish'n'chips, as expected. Great fish, great chips, for $8.35. I do wish it was a dollar less or had one more piece of fish, but it's cheaper and better than Ivar's, and I'll be back.

All of my subscriptions to magazines are about to lapse. I just discovered that the Seattle Public Library lets you check out magazines, same as you can check out books, as long as it's not the magazine's latest issue.

Libraries are literally awesome.


And now, more of the news you need, whether or not you know you need it…  

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That time Benjamin Franklin published a book on DIY abortions 

The horrifying implications of Alito's most alarming footnote 

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US condemns Israel's attack on Shireen Abu Aqleh's funeral 

It's only words, but still, this is the sharpest rebuke from America for anything Israel's done that I can remember, and for cripes sake, Israel's done plenty that deserves rebuke.

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USPS board’s governors now mostly Biden picks following latest Senate confirmations 

This should allow the board to terminate Postmaster General Louis DeJoy's ridiculous and counter-postal tenure — and yet, I am skeptical that that'll happen soon.

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There have been many very bad ideas in the history of bad ideas, but this bad idea seems especially bad 

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Central California cops aim to turn town’s only library into police HQ 

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Climate grief, and making sense out of Wynn Bruce's Supreme Court climate action 

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The New York Times analyzes transcripts of Tucker Carlson's show 

It's likely that the above is worth reading/watching/hearing, but it's one of those annoying high-tech articles full of sound and imagery that bop all around the page, so I stayed only long enough to collect the link. 

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Before they rip it apart and destroy The Castro as a movie theater, there'll be a ten-day festival screening great movies from before the theater's demise 

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If a nuclear explosion went off, would there be a certain distance in the blast radius that would cook frozen supermarket pizzas to perfection for a brief moment? 

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One-word newscast, because it's the same news every time...
climate
copscopscopscopscopscopscopscops
Republicans 

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The End
Shireen Abu Akleh
Bob Lanier
Catherine Spaak 

5/14/2022 
 
Cranky Old Fart is annoyed and complains and very occasionally offers a kindness, along with anything off the internet that's made me smile or snarl. All opinions fresh from my ass. Top illustration by Jeff Meyer. Click any image to enlarge. Comments & conversations invited.
 
Tip 'o the hat to All Hat No Cattle, Linden Arden, ye olde AVA, BoingBoing, Breakfast at Ralf's, Captain Hampockets, CaptCreate's Log, John the Basket, LiarTownUSA, Meme City, National Zero, Ran Prieur, Voenix Rising, and anyone else whose work I've stolen without saying thanks.
 
Extra special thanks to Becky Jo, Name Withheld, Dave S, Wynn Bruce, and always Stephanie...

Free human dignity. Come and get it.

Do we care about homelessness, and/or about the homeless? If 'we' means society, then the answer is obviously, inarguably, absolutely and emphatically No. We don't give a quarter-ounce fart in a twister about the homeless.

We care enough to have the homeless arrested if they're too boisterous, or come to the wrong neighborhood, or sleep on a bench, or smell funky outside a fancy restaurant. If the homeless gather any place for mutual safety and support, we care enough to have their encampment "swept" by police, their meager possessions dumpstered, and arrest any of them who object. That's how much we care.

There are safety-net programs to help the homeless, of course, but they're ridiculously under-funded and intentionally over-complicated. A person who's seriously off-in-the-head could never navigate the red tape to qualify for most programs allegedly designed to help exactly such people, not without someone to guide them through the maze of proofs and requirements. And anyone who can make it through the application and verification process probably gets only a spot on the waiting list, for future help. "Please take a number, and come back in 6-8 weeks, or 6-8 months, to check your status in the queue."

Any time there's a discussion of homelessness, Republicans and other cold-hearted orbs that rule the night will complain that the homeless are savages, dangerous. "Why, they pee in the doorway and shit on the sidewalk," say people who have homes with toilets, of the people who wander the streets, where an actual open-to-the-public restroom might be three miles away, with showers nowhere at all.

Let's acknowledge where the homeless come from: For the most part, they're the sawdust that's left over as people pass through the gears and teeth in the machinery of American corporate capitalism.

Can't hold a steady job?

Health issues?

Got a drinking problem, or drug addiction?

Maladjusted in your head?

Unexpected expenses?

There's very nearly no easily-accessible help in these or other such situations. If there is help, it's not publicized, or only for certain people, not for you. Can you prove you're homeless? Sorry, due to budget cuts we're not accepting new applicants. This office has been closed, but we have another office twelve miles away that's open for six hours, two days a week. On the off chance you qualify for this aid program, it's limited to 90 days.

Once you're hobbled by an unlucky happenstance or a stupid choice, it snowballs, you're more susceptible to other pitfalls, and making your way back to being "ordinary people" gets more and more impossible.

It could happen to anyone. With one or two unexpected expenses or mistakes, you're on the streets. Every person you see begging, drunk and disorderly, or asleep on a bench is someone who could've been helped long ago, but wasn't, because in America you're supposed to make it on your own.

If you can't make it on your own, we stop caring about you.

If we cared, here in the world's richest nation, there would be easily-accessible help for every issue I've mentioned, and a hundred issues I didn't. There should be (but isn't) a genuine safety-net for people who otherwise tumble through the jumbo-jet-sized holes in our uncaring systems and crash-land onto our streets and sidewalks.

Until recently, I lived in Madison, the 82nd largest city in America, with just a quarter-million people. Even in such a smallish urban area, there were always a few dozen homeless people downtown, and anywhere in the city you might see someone sleeping on a corner, in an alley, in a doorway, on a bus, in the library, in the park. I'd guesstimate at least hundreds, perhaps a thousand people are homeless in Madison, a city of a quarter-million souls.

Now I live in Seattle (three-quarters of a million people in the city; 2-million-plus in the county), and the homeless are everywhere, in every neighborhood. Whatever the 'official' estimate might be, it's probably a ridiculous under-count. My unofficial census says many, many, many thousands of people are wandering this city's sidewalks and alleyways.

And wherever you're reading this, they're there too.

What would we do if we gave a hoot? First and most obviously, there would be housing, free and open to anyone who needs it, with no questions asked. Show up and ask for a room, and you'd be given a room with four walls, a bed, a blanket, a pillow, a door that locks, and a key to lock it. Down the hall there'd be free toilets and showers, with toothbrushes, toothpaste, and towels provided. Free human dignity. Come and get it.

In the same building, there'd be well-staffed health care available to anyone at no cost, and mental health care, and dental care, and three square meals a day, free of charge. There'd be drug-use facilities, needle exchanges, and drug counseling. There'd be whatever other services are needed, which might include job-hunting help, public phones, AA and NA meeting rooms, community kitchens, etc.

Ah, you're wondering, how much will all this cost? You can't begin to imagine how much I don't give a damn about the answer to that question. It would cost a hell of a lot and so frickin' what. If we cared, we would spend what it takes to help these people.

Again, I'll state the obvious: America is the richest country in the world. The rich got rich off the work of the poor, and the rich should be taxed whatever it takes to take care of the poor. That's all I have to say about the cost.

If we cared, constructing and operating free housing is only the beginning of what we'd do. We'd do much, much more than merely what I've mentioned.

If we cared.

But we don't, of course, so we don't and won't.

5/14/2022  

itsdougholland.com
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City Lights, Junebug, and five other movies

City Lights (1931)

It's a sin for a film aficionado to say this, but generally I'm not interested in silent movies. I've seen dozens of silents, but don't remember many, which tells you something. Anyway, they're a different art form entirely.

This one has a great reputation, but through decades of watching old movies in theaters I managed to miss it every time it played, and now that I'm watching movies streamed and downloaded, I've still put it off, but finally I clicked 'play'.

City Lights ("a comedy romance in pantomime, written and directed by Charles Chaplin") can't be the classic everyone says it is, can it?

Yeah, it's the classic everyone says it is.

It's comprised of a series of interconnected vignettes, mostly focused on a homeless, jobless bum called simply The Tramp. There's a Depression on, so there's also a drunken, suicidal businessman, and an impoverished blind woman selling flowers.

It's consistently funny and/or sweet, and each brief vignette ends before it gets repetitive or predictable (a notion frequently forgotten in modern comedies). In the very funny suicide scene, for example, after The Tramp and The Banker had both fallen into the bay twice, I briefly worried that if either of them fell into the drink a third time it would become tedious. Chaplin must've done the same math, because they came close to tumbling again, but there was no third splash.

It's a comedy, so the big question is, Is it funny? Yup. I did plenty of laughing out loud. There are even sound gags — lots of them, actually — precisely matching what's on the screen with the musical score, which was (of course) written by Chaplin.

City Lights is about lost souls in the big city, finding friendship and maybe love, and we have more lost souls than ever so it feels fresh even 91 years later.

There's often blatant racism in old movies, so I crossed my fingers when a black actor appeared in a small supporting role, but no worries — the character is written and portrayed sympathetically, rubbing Chaplain with a much-needed lucky rabbit's foot before a funny and cleverly staged prize fight.

Verdict: BIG YES. I should've watched this years ago.

The Neverending
Film Festival
#40

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The Guilty (1947)

A couple of straight guys are sharing an apartment, and dating twin women. They're movie twins — one's slutty, the other's saintly, and they're played by the same actress. When one of the twins is murdered and all evidence points to the slimier of the two flatmates, the other dude wants to date the surviving twin.

This seems an untenable situation, but hey, it's a movie. Not a very good one, though — I guessed the ending twenty minutes into it, and you could probably guess it, too, just from what I've written.

Here's a twist, though — I guessed wrong. That still doesn't make it a very good movie, though.

Here's the problem with The Guilty: Several generations of us have been born and grown old and died since this movie was made, and the accouterments and the society and everything else has changed, but humans haven't. You'd still know a human if you met one, but the only human you'll meet in this movie is the dead woman's mother, crying and angry about her daughter's death. Everyone else is an actor delivering lines that don't seem right and doing things that aren't what a genuine human would do. You'd never mistake any of them for people.

Verdict: NO. 

♦ ♦ ♦ 

I Stand Alone (1998)

The first third of this movie, I was lovin' it. Here's a middle-aged horsemeat butcher who's had a shitty life from the day he was born, at least according to the story he tells. He's an aging angry cynic, a quiet guy who never says much but offers oodles of inner-voice negative narration, and it's delightful how he despises the world and everyone in it.

Then he loses his temper, goes over the edge, gets violent, goes further and further over the edge, miles past the edge, until he's completely lost his sanity. So this is a horror movie, but not with the gentle goose bumps of Frankenstein or Freddy Kruger — no frights followed by giggles here.

Directed and written by Gaspar Noé, this movie wants you to wonder what morality really is, and to sympathize with the madman as he counts his bullets deciding which people to kill, as he argues with himself whether to kill his daughter or merely rape her, and as he rationalizes what he's done with a philosophy of right and wrong that adds up to "oh well."

To my recollection, there are only two scenes of violence in the movie, but it feels like an act of violence all the way through. It takes the audience so completely into a mentally ill man's mind, it left me mentally nauseous, especially since I'd so strongly identified with the main character, at first.

I watched the movie last night, and probably should mull it over for a few days before writing a review, but I don't want to mull it over. Don't want to think about it at all, so I'm just gonna post this, and then flush it out of my mind.

The movie is absolutely not shit. This is excellent filmmaking — smart, involving, thoughtful, and disturbing, anti-moral, and completely repulsive. It reminds me of Taxi Driver or Raging Bull, two movies I respect but abhor, in which a brilliant filmmaker wastes great effort illuminating the life and times of someone despicable and not worth the bother.

More trivially, every scene ends with a thwomp, a sudden sound effect. There must be a hundred thwomps, and some are quite loud, others louder. It gets annoying, never stops, and it's a stylistic choice someone should've been talked out of.

Of course, I also wish someone had talked Noé out of the whole damned storyline, and told him to make something perhaps only 75% as hellish, which would still be more nightmare-inducing than any movie I'd want to endure.

Verdict: I Stand Alone defies my ordinary YES, NO, or MAYBE. It's a very well-made movie, but there's no way I'd recommend it. Ask yourself one question: Do you want to be inside a lunatic's head for an hour and a half?

♦ ♦ ♦ 

Inspector Hornleigh Goes to It (1941)

"Oh, what's to do? Are you going to give me gas or not?"

Inspector Hornleigh (Gordon Harker) thinks of himself as one of the best brains working at Scotland Yard, and he's writing a biography exaggerating his accomplishments. His literary fictions are interrupted when he's assigned to investigate a series of small-scale pilferings from military provisions. To crack the case, he must go undercover as the oldest conscript in the British Army, accompanied by his loyal sidekick from the police, Sgt Bingham (Alastair Sim).

Piecing together the evidence, I've determined that Inspector Hornleigh was featured in a popular radio show way back when, which spawned several movies in the 1930s and '40s. This one's a harmless police procedural with very slight comedic tendencies, but it doesn't make me want to see the other entries, or listen to the source material on Old Time Radio.

Verdict: MAYBE.

♦ ♦ ♦ 

Junebug (2004)

A Chicago gallery owner (Embeth Davidtz) is trying to strike a deal with an as-yet undiscovered artist deep in the South. The artist is an awful man and, in my judgment, not much of an artist, so it's a relief that the movie isn't much about him.

Art-lady is married to a man from the South (though you'd never guess it, cuz he's gone all Chicago) and his family lives not too far from the dipshit artist, so when art-lady comes down to negotiate, they stay with his family.

That's the movie's focal point — Mom and Dad, husband's moody brother and his chipper pregnant wife, and the gallery owner and her husband, all bouncing around in the same house, and ho lee crap.

Everything and everyone in this family is very awkward, there's unspoken backstory for all of them, and some or most or all of them aren't particularly likable. Big questions are alluded to, never quite asked, and certainly never answered. In every way, it's exactly like a real family.

I've never seen a film that captures the concept of 'family' so well. It made me uncomfortable, and felt so damned real it's a surprise that the actors don't all have the same last name. This isn't a documentary, it just feels like one.

You'll be disappointed if you're expecting laughs, hugs, an explanation for the brother's grudge against the world, a heart-to-heart conversation, a happy ending, or any of that rot. Not here.

I loved it, but it's not for everyone, and for a while I thought Junebug wasn't for me. If you're briefly bored shitless like I was, rewind it for a few minutes — at absolutely any point — and notice the character detail, even when somebody's talking about something stupid or nobody's talking at all. It's so dang real I hated everyone in the family for at least a while, especially when any of them reminded me of me.

Verdict: BIG YES.

♦ ♦ ♦

Marlowe (1969)

James Garner plays private eye Philip Marlowe, based on Raymond Chandler's novel The Little Sister, which I read years ago and don't recall at all. As often happens when these things aren't done right, the plot can't be followed and barely makes sense, because every character who knows anything is forever unwilling to tell the truth.

By far the best moments in this film belong to Bruce Lee. He's in only two scenes, making a remarkable entrance about halfway through the flick, and too soon a hell of an exit. I'm perplexed by the lack of billing, though — this was made several years after his breakthrough in The Green Hornet, yet his name isn't even in the opening credits, so seeing him was a surprise.

Anyway, Marlowe is mostly a mess, but Garner is believably tough, noble, smart and smartass. Garner was always likable, and a few years later he played essentially the same character on TV's The Rockford Files, but with more laughs, better scripts, and more believable mysteries than can be found here.

Verdict: MAYBE.

♦ ♦ ♦

San Francisco (1936)

"You're in probably the wickedest, most corrupt, most godless city in America."

Yeah, I'll vouch for that.

San Francisco, the movie, is a sorta silly melodrama about several well-heeled white people before, during, and after the great earthquake of 1906.

Clark Gable plays Blackie Norton, a decadent rascal with a decent heart, running an unsavory place in the city's Barbary Coast. His best buddy and sparring partner is Spencer Tracy, playing a priest for God's sake. And his new hire is an opera-style singer, Mary Blake (Jeanette MacDonald), who doesn't want to sing beer-hall style songs.

There's more opera singing than I wanted to hear, a stale talent show, and a tepid testosterone feud between Blackie and the owner of the opera house, all of which made me impatient — I'm ready for the ground to shake and buildings to topple, any time now — but it's undeniably charming all along the way.

Gable's Blackie is an atheist, and says it eloquently and often, while Tracy's pious priest is only a cliché in a collar, but the movie of course sides with Father Tracy and his religious message. MacDonald is very Christian too, and mostly an annoyance. There are half a dozen hymns, but ignore that drivel and wait for the quake and the mayhem and fire that follows, and the city's anthem, "San Francisco" (written for this film), and the movie's marvelous closing shot.

Goes without saying, having lived in Frisco, loved it there, and fallen in love there, I'm not an impartial critic. I'm still batty about the San Francisco that was, which isn't any more, and this movie is full of it.

Bar manager to troublesome customer: Say, where are you from?
Customer: Los Angeles.
Bar manager: I thought so. (decks him)

Verdict: YES.

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5/13/2022 
 
Top illustration by Jeff Meyer. No talking once the lights dim. Real butter, not that fake crap, on the popcorn. Piracy is not a victimless crime. Click any image to enlarge. Comments & conversations invited.